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Christophe Aubertin

Graduated from the Ecole Nationale Supérieure de Nancy in october 2006, registered as an independent architect in november 2008, member of the "Travaux en cours" and "Bol & Mix" associations and founding member of studiolada architectes in 2009 with agnès hausermann, Benoit Sindt and Xavier Géant.

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Wood

Eñaut Jolimon de Haraneder, Christine Deleuze, Christophe Aubertin, Anna Le Corno

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Wood

France has the 4th largest forest area in Europe, yet 40% of its timber is imported. At a time when Google’s London headquarters, designed in 2016 with a solid wood structure, has still not been delivered, and when the tallest wooden tower is due to be built in Tokyo in 2028, reaching a height of 100 metres, where does France stand in relation to wood? The RE2020, through the dynamic life cycle analysis, encourages the use of bio-sourced materials to promote the storage of biogenic carbon in buildings. The SNBC is explicitly banking on this sector to achieve its 2050 targets. However, the Paris Fire Brigade doctrine published in 2021 greatly complicates its use in architecture. How can these contradictions be overcome?

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Training Citizen Architects to Serve a Community

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The two Lebanese artists and filmmakers were awarded the 2017 Marcel Duchamp Award for Unconformities, a project currently on display at Hamburger Bahnhof in Berlin. This artwork, like their approach, is based on a methodology of investigation and excavation and aims to offer another reading of history and the traces of the past.

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Design: Reparation

Nicolas Nova

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Design: Reparation

Nicolas Nova is a social anthropologist. Inspired by New Media Studies and design fiction, he contends that the future of design lies in recycling and reparation as well as reinventing forms and functions. Did you know that a used flip-flop could serve as a lighter?

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From "Mediance" to Places

Augustin Berque

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From "Mediance" to Places

The geographer and orientalist Augustin Berque revisits the polysemic dimension of the term “milieu,” and explains the distinction made by mesology—“the area of biology that deals with the relationships between the environments and organisms”—between “environment” and “milieu.” The reality of things differs depending on the environment of each species or culture, the object doesn’t exist in itself but according to its relationship with the subject. In this way, mesology goes much further than the subject/object dualism of modern science. Ontologically “trajective,” the environment is neither objective nor subjective, but firmly between the two theoretical subject/object centers. Berque takes the term “mediance,” meaning the dynamic coupling of the individual and their surroundings, from the Japanese “fūdo,” to which he adds “trajection,” a process that results in the “mediance” of human existence in its concrete surroundings. Taken as a whole, all human environments, distinct from the biosphere through their eco-techno-symbolic dimension, form the ecumene. For architecture, this implies a respect for history and the environment, without mimicking ancient forms, creating from the “mediance” of each place.

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An Attempt to Drain Places

Larissa Fassler

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An Attempt to Drain Places

Larissa Fassler is a “Neo-Situationist” artist. By exploring places over the course of many hours, she gleans their ephemeral essence, which she then superimposes on the fixed urban master plan. The subjective maps thus generated highlight both urban narratives and history.

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Maximizing reuse, minimizing transformation

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Maximizing reuse, minimizing transformation

Maximum is a design studio that maximizes the value of waste; its material, its form and its engineering. Some materials are transformed in a semi-industrial process while others give birth to unique pieces, such as the glass walls of the Centre Pompidou caterpillar.

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Eager to share more generously the results of its collaborations and research, PCA-STREAM publishes STREAM VOICES, its online magazine!

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