An art historian, art critic and curator, Clément Dirié is also an editor specialized in contemporary art, notably for JRP|Ringier. He is a member of Caro Sposo, a video programming collective, and was co-editor of Code Magazine 2.0, a magazine dedicated to young artists (2010-2015). Code Magazine 2.0
Representing workspace, this figure shows real space and mental space simultaneously; a cerebral organization and its material translation. From the Renaissance to the 21st century, from the aesthetic documentation to ambiguous utopia, the following images are some incarnations of the «office-form.» Clément Dirié is an art historian and art critic, curator and editor specialized in contemporary art.
Artist and user: this could be the corporate title of Julien Prévieux whose work uses, solicits and questions the complexity of our contemporary world, and notably the economic systems and uses that comprise it. Because he is not satisfied with simply creating artworks and ex nihilo objects but more because he reactivates and incorporates pre-existing and codified elements, he adopts the figure of the user and stages his use of the real. Here, he has intervened as a commentator on this essay, a panorama of a practice of over ten years, having numerous economic ideas as its center. Clément Dirié is an art historian and art critic, curator and editor specialized in contemporary art.
Some selected cases of artist residencies in business draws a panorama of the possibilities of an immersion of the arts into the world of economy. If one wonders about the profusion of these experiences, just think that art has continued to push its boundaries. The canvas on the wall, of virtual realities and of open spaces. While providing a new space for a creation that echoes the economic sphere, these residences are rich in knowledge for understanding today’s business. The information they generate are made of flesh and not numbers. Clément Dirié is an art historian and art critic, curator and editor specialized in contemporary art.
Contemporary architectural research is often fascinated by biological life but with an approach that goes beyond simple organic metaphors thanks to recent technological developments. Alisa Andrasek discusses the link between biology and her architectural practice, and her interest in the distribution of information in natural processes—a complexity that she tries to approach via big data. Her work in computational design is influenced by the convergence between information and materials, in an increasingly complex and open synthesis which enables it to go beyond the production of form and address the dynamic processes of matter itself. Alisa Andrasek is an architect, director and founder of the Biothing laboratory. She teaches at the Architectural Association of London.
Researcher Claire Lesieur works at the CNRS Ampère Laboratory on the Go Pro project, which applies a computational model developed for protein folding to urban environments. The shape-changing properties of proteins are put to use in an attempt to map out the opportunities for urban growth that don’t involve urban sprawl.
Researcher and data scientist Stanislas Chaillou investigates how AI can enable architects to support and enhance their practice. A small sampler of a new book published by Éditions du Moniteur in March 2021.
The rediscovery of the ecosystems services of nature in urban environments, in particular regarding pollution mitigation and fighting against heat islands, have put a new emphasis on the intelligence of trees, as botanist Francis Hallé describes “plant architecture.” He advocates making trees more prominent in cities, though as a prerequisite to any urbanization, which implies promoting an intimate knowledge of the way they operate and their temporality in order to improve their planting, maintenance, and respect.
Discover the inaugural lecture of the “Alma Matter” series! In a world where the myth of abundance is collapsing, this series of lectures looks at what matter really has to offer. Actors, professions, economies, temporalities, geopolitics: how do contemporary issues of creation take shape through those of matter? Each talk focuses on a particular material, and brings together its stakeholders in a dialogue. The use of stone in construction declined during the twentieth century. Today, its return is acclaimed for its qualities: inertia, durability, low-emission processing, local presence… but what techniques and applications will be used in 2024? As part of the City Metabolism Chair supported by the Université Paris Sciences & Lettres.
Caroline Goulard is a data journalist and co-founder of Dataveyes. She turns collected data into digital experiences to make it more understandable for everyone. Thanks to new ways of visualization, it is now possible to understand a population’s needs and to develop services that anticipate new uses.
François Taddei is a geneticist and co-founder, with Ariel Lindner, of the Learning Planet Institute (formerly known as CRI). Conceived as a school for the 21st century, the institute combines artificial intelligence and collective intelligence to reinvent ways of learning, teaching and doing research.
Hubert Beroche is the founder of the Urban AI think tank, dedicated to the field of urban artificial intelligence. He is the curator of the Eyes on the street lecture series, run together in partnership with the SCAI (Sorbonne Center for Artifical Intelligence), and explains here how urban AI can help us understand the city.
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Eager to share more generously the results of its collaborations and research, PCA-STREAM publishes STREAM VOICES, its online magazine!