Dominique Boullier
Dominique Boullier is a sociologist and senior researcher at the Digital Humanities Institute of the Swiss Federal Institute of Technology in Lausanne. He was a professor at Sciences Po Paris and Medialab manager with Bruno Latour. A specialist in digital technology and cognitive technologies, he is the author of L'urbanité numérique, published in 1999, of Sociologie du numérique, published in 2016, and founder of the magazine Cosmopolitiques, which he describes as "a laboratory of political ecology ".
Our Digital Skins
The growing presence of information technology and data in the urban space has blurred the limits between the real and the virtual. Specializing in digital and cognitive technologies, the sociologist Dominique Boullier proposes the notion of “habitele” as a conceptual framework for the envelopes that we create in the digital realm. This notion allows us to explore the way in which we inhabit the digital, but also to imagine the ways in which we regulate our relationship with data, in order to avoid technology—which formats our experience—having a hold over us, while at the same time preserving the porosities that allow exchange to take place. The issue then is not to intensify or accumulate technologies, but to redefine our environment so as to generate limits and create a digital interior. The urban form is destined to become part of these individual digital envelopes, depending on systems that are not simply stacks of bubbles but which adapt to the new layers of existence that the digital brings with it.
Training Citizen Architects to Serve a Community
Designing an inclusive city implies involving their residents in urban projects, but what is the role of architects and urban planners in this process? For Andrew Freear, the head of the Rural Studio program, they both have the ethical responsibility of getting locally involved via concrete projects. Architectural schools must thus take on training citizen architects by engaging them in learning by doing, and thus have them redevelop a deep connection with context and places, acting as neighbors and activists within communities in order to collectively carry out experimental projects that tangibly improve society and the environment.
Collaborating with situations
The two Lebanese artists and filmmakers were awarded the 2017 Marcel Duchamp Award for Unconformities, a project currently on display at Hamburger Bahnhof in Berlin. This artwork, like their approach, is based on a methodology of investigation and excavation and aims to offer another reading of history and the traces of the past.
Design: Reparation
Nicolas Nova is a social anthropologist. Inspired by New Media Studies and design fiction, he contends that the future of design lies in recycling and reparation as well as reinventing forms and functions. Did you know that a used flip-flop could serve as a lighter?
From "Mediance" to Places
The geographer and orientalist Augustin Berque revisits the polysemic dimension of the term “milieu,” and explains the distinction made by mesology—“the area of biology that deals with the relationships between the environments and organisms”—between “environment” and “milieu.” The reality of things differs depending on the environment of each species or culture, the object doesn’t exist in itself but according to its relationship with the subject. In this way, mesology goes much further than the subject/object dualism of modern science. Ontologically “trajective,” the environment is neither objective nor subjective, but firmly between the two theoretical subject/object centers. Berque takes the term “mediance,” meaning the dynamic coupling of the individual and their surroundings, from the Japanese “fūdo,” to which he adds “trajection,” a process that results in the “mediance” of human existence in its concrete surroundings. Taken as a whole, all human environments, distinct from the biosphere through their eco-techno-symbolic dimension, form the ecumene. For architecture, this implies a respect for history and the environment, without mimicking ancient forms, creating from the “mediance” of each place.
An Attempt to Drain Places
Larissa Fassler is a “Neo-Situationist” artist. By exploring places over the course of many hours, she gleans their ephemeral essence, which she then superimposes on the fixed urban master plan. The subjective maps thus generated highlight both urban narratives and history.
Maximizing reuse, minimizing transformation
Maximum is a design studio that maximizes the value of waste; its material, its form and its engineering. Some materials are transformed in a semi-industrial process while others give birth to unique pieces, such as the glass walls of the Centre Pompidou caterpillar.
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Eager to share more generously the results of its collaborations and research, PCA-STREAM publishes STREAM VOICES, its online magazine!