Anthropologist and researcher at McGill University in Montreal, he is the author of the book How do forests think (Comment pensent les forêts) in which he studies the Quichuas Runa tribe (Ecuador) and hypothesizes an anthropology " beyond the human "by analyzing the inter-species semiotic communication.
The anthropologist and author of How Forests Think (University of California Press, 2013) recounts his Amazonian experience among the Runa people in order to convey to our Western minds the idea of a language that can go beyond words and symbols. A language that connects the beings of the forest, both human and non-human. A language that we seem to have forgotten…
In a continuation of contemporary ontologies, anthropologist Eduardo Kohn goes beyond modern dualism and shows the unique nature of the living via semiology. Through his anthropological research in Amazonia, he explored “sylvestrian thinking” – shared with all of the living – and its philosophical consequences: though the West only considers human thought, Kohn uses his theory to overturn signs of opposition between language based beings and others, within the living. The Runa of Amazonia, who live in an intimate relationship with a group of beings, within a complex ecosystem consisting of the non-human and the inert, have in this way developed an interspecies communication that, similar to the artistic experience, goes beyond language. The Runa understand ecological relationships within this world as being relationships based on communication. Kohn endeavors to bring legitimacy to sylvestrian thinking so as to draw ethical orientations from it that will allow us to go beyond the Anthropocene. Eduardo Kohn is the author of the book How Forests Think: Towards and Anthropology Beyond the Human, University of California Press (2013).
Designing an inclusive city implies involving their residents in urban projects, but what is the role of architects and urban planners in this process? For Andrew Freear, the head of the Rural Studio program, they both have the ethical responsibility of getting locally involved via concrete projects. Architectural schools must thus take on training citizen architects by engaging them in learning by doing, and thus have them redevelop a deep connection with context and places, acting as neighbors and activists within communities in order to collectively carry out experimental projects that tangibly improve society and the environment.
The two Lebanese artists and filmmakers were awarded the 2017 Marcel Duchamp Award for Unconformities, a project currently on display at Hamburger Bahnhof in Berlin. This artwork, like their approach, is based on a methodology of investigation and excavation and aims to offer another reading of history and the traces of the past.
Nicolas Nova is a social anthropologist. Inspired by New Media Studies and design fiction, he contends that the future of design lies in recycling and reparation as well as reinventing forms and functions. Did you know that a used flip-flop could serve as a lighter?
The geographer and orientalist Augustin Berque revisits the polysemic dimension of the term “milieu,” and explains the distinction made by mesology—“the area of biology that deals with the relationships between the environments and organisms”—between “environment” and “milieu.” The reality of things differs depending on the environment of each species or culture, the object doesn’t exist in itself but according to its relationship with the subject. In this way, mesology goes much further than the subject/object dualism of modern science. Ontologically “trajective,” the environment is neither objective nor subjective, but firmly between the two theoretical subject/object centers. Berque takes the term “mediance,” meaning the dynamic coupling of the individual and their surroundings, from the Japanese “fūdo,” to which he adds “trajection,” a process that results in the “mediance” of human existence in its concrete surroundings. Taken as a whole, all human environments, distinct from the biosphere through their eco-techno-symbolic dimension, form the ecumene. For architecture, this implies a respect for history and the environment, without mimicking ancient forms, creating from the “mediance” of each place.
Larissa Fassler is a “Neo-Situationist” artist. By exploring places over the course of many hours, she gleans their ephemeral essence, which she then superimposes on the fixed urban master plan. The subjective maps thus generated highlight both urban narratives and history.
Maximum is a design studio that maximizes the value of waste; its material, its form and its engineering. Some materials are transformed in a semi-industrial process while others give birth to unique pieces, such as the glass walls of the Centre Pompidou caterpillar.
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Eager to share more generously the results of its collaborations and research, PCA-STREAM publishes STREAM VOICES, its online magazine!