Economist, researcher at the Institut de l’Epargne Immobilière et Foncière (IEIF), Gilbert Emont is the director of the Institut Palladio des Hautes Études sur l’Immobilier et la Cité, after a career as a director at the Caisse des Dépôts. He is specialized in housing issues and territorial dysfunctions. His most recent book is Logement : pronostic vital engagé (Economica, 2012). Fondation Palladio
Gilbert Emont is director of the Palladio Foundation, a think tank focusing on urban space founded in 2008, which promotes research and exchanges in real estate and urban planning, in order to better meet the challenges of urban space construction. He describes how the Foundation defines what the urban society is, and how the city and its builders must adapt to this paradigm shift.
Global urbanization is acutely disrupting our ways of life and our ways of understanding the world. We are experiencing an ontological crisis and remain clueless when we try to reflect upon it and to conceptualize it, seeking for answers but also for solutions to its challenges. It seems clear to all that there is no one absolute truth anymore and that we can only apprehend this phenomenon in fragments, by asking questions of professionals in each and every possible disciplinary field. Many initiatives proceed in that way, gathering and comparing the points of view of thinkers and researchers. In light of the research carried out by the Institut Palladio—one of the think tanks that is re-examining contemporary urban planning—, Gilbert Emont analyzes the factors of change that are bringing about a “society of urbanites”, a new condition at the junction of four material transformations: the increase in life expectancy, the urbanization of the planet, the importance of sustainable development, and the widespread use of digital technologies. In this new world organized around human activity, he describes the challenges which cities of tomorrow will face, up to and including continuous innovation, physical adaptability and flexibility of use. Gilbert Emont is an economist and researcher at the Institut de l’Épargne Immobilière et Foncière (IEIF). He is the director of the Institut Palladio des Hautes Études sur l’Immobilier et la Cité.
Designing an inclusive city implies involving their residents in urban projects, but what is the role of architects and urban planners in this process? For Andrew Freear, the head of the Rural Studio program, they both have the ethical responsibility of getting locally involved via concrete projects. Architectural schools must thus take on training citizen architects by engaging them in learning by doing, and thus have them redevelop a deep connection with context and places, acting as neighbors and activists within communities in order to collectively carry out experimental projects that tangibly improve society and the environment.
The two Lebanese artists and filmmakers were awarded the 2017 Marcel Duchamp Award for Unconformities, a project currently on display at Hamburger Bahnhof in Berlin. This artwork, like their approach, is based on a methodology of investigation and excavation and aims to offer another reading of history and the traces of the past.
Nicolas Nova is a social anthropologist. Inspired by New Media Studies and design fiction, he contends that the future of design lies in recycling and reparation as well as reinventing forms and functions. Did you know that a used flip-flop could serve as a lighter?
The geographer and orientalist Augustin Berque revisits the polysemic dimension of the term “milieu,” and explains the distinction made by mesology—“the area of biology that deals with the relationships between the environments and organisms”—between “environment” and “milieu.” The reality of things differs depending on the environment of each species or culture, the object doesn’t exist in itself but according to its relationship with the subject. In this way, mesology goes much further than the subject/object dualism of modern science. Ontologically “trajective,” the environment is neither objective nor subjective, but firmly between the two theoretical subject/object centers. Berque takes the term “mediance,” meaning the dynamic coupling of the individual and their surroundings, from the Japanese “fūdo,” to which he adds “trajection,” a process that results in the “mediance” of human existence in its concrete surroundings. Taken as a whole, all human environments, distinct from the biosphere through their eco-techno-symbolic dimension, form the ecumene. For architecture, this implies a respect for history and the environment, without mimicking ancient forms, creating from the “mediance” of each place.
Larissa Fassler is a “Neo-Situationist” artist. By exploring places over the course of many hours, she gleans their ephemeral essence, which she then superimposes on the fixed urban master plan. The subjective maps thus generated highlight both urban narratives and history.
Maximum is a design studio that maximizes the value of waste; its material, its form and its engineering. Some materials are transformed in a semi-industrial process while others give birth to unique pieces, such as the glass walls of the Centre Pompidou caterpillar.
Explore More
Eager to share more generously the results of its collaborations and research, PCA-STREAM publishes STREAM VOICES, its online magazine!