The Space between Works
Though he may be reluctant when it comes to biographies and chronological presentations, Loris Gréaud announces his upcoming exhibition for Stream, bringing to a conclusion the trilogy Cellar Door, The Unplayed Notes and Study for a Solipsism. His work defies description and is impossible to categorize, allowing metabolic themes to blossom—temporal dynamics, death and destruction, combustion and energy—and seizing hold of architectural environments to the benefit of a spatio-temporal experience which belongs to a more global body of work that is the trajectory between these artworks. Much like the living, his work outgrows its contexts, attaching itself more-so to processes of production than to fixed objects.
