Marine Calmet is a lawyer specialized in environmental law and Indigenous peoples’ rights. Her commitment to combat the devastation caused by the mining industry in particular led her to co-found Wild Legal, a nonprofit aiming to train upcoming lawyers and fighting for the recognition of new rights of nature. She is the author of Devenir gardiens de la Nature.
Marine Calmet is a lawyer specializing in environmental law. Her commitment to fight against the devastation inflicted on ecosystems and local populations by industrial actors has led her to co-found Wild Legal, a nonprofit/school that organizes moot courts simulating trials where nature would hold new rights.
The questioning of the binary vision of the world proceeding from modernity, which set nature and culture apart, examines in great depth our relationship with the living and the place granted to it. If we are to overcome our anthropocentrism, how can we then assign a new status to nature in order to better preserve it? For Marine Calmet, this involves moving beyond our attitude of domination of the living and productivist logics of growth and to instead think in terms of commons and the protection of the living. With the forward-looking curriculum Wild Legal, she explores and imagines the creation of new legal tools based on concrete case studies, in particular around the concept of ecocide, to protect the environment and imagine types of governance that could help achieve a more harmonious articulation of the local and global scales.
Designing an inclusive city implies involving their residents in urban projects, but what is the role of architects and urban planners in this process? For Andrew Freear, the head of the Rural Studio program, they both have the ethical responsibility of getting locally involved via concrete projects. Architectural schools must thus take on training citizen architects by engaging them in learning by doing, and thus have them redevelop a deep connection with context and places, acting as neighbors and activists within communities in order to collectively carry out experimental projects that tangibly improve society and the environment.
The two Lebanese artists and filmmakers were awarded the 2017 Marcel Duchamp Award for Unconformities, a project currently on display at Hamburger Bahnhof in Berlin. This artwork, like their approach, is based on a methodology of investigation and excavation and aims to offer another reading of history and the traces of the past.
Nicolas Nova is a social anthropologist. Inspired by New Media Studies and design fiction, he contends that the future of design lies in recycling and reparation as well as reinventing forms and functions. Did you know that a used flip-flop could serve as a lighter?
The geographer and orientalist Augustin Berque revisits the polysemic dimension of the term “milieu,” and explains the distinction made by mesology—“the area of biology that deals with the relationships between the environments and organisms”—between “environment” and “milieu.” The reality of things differs depending on the environment of each species or culture, the object doesn’t exist in itself but according to its relationship with the subject. In this way, mesology goes much further than the subject/object dualism of modern science. Ontologically “trajective,” the environment is neither objective nor subjective, but firmly between the two theoretical subject/object centers. Berque takes the term “mediance,” meaning the dynamic coupling of the individual and their surroundings, from the Japanese “fūdo,” to which he adds “trajection,” a process that results in the “mediance” of human existence in its concrete surroundings. Taken as a whole, all human environments, distinct from the biosphere through their eco-techno-symbolic dimension, form the ecumene. For architecture, this implies a respect for history and the environment, without mimicking ancient forms, creating from the “mediance” of each place.
Larissa Fassler is a “Neo-Situationist” artist. By exploring places over the course of many hours, she gleans their ephemeral essence, which she then superimposes on the fixed urban master plan. The subjective maps thus generated highlight both urban narratives and history.
Maximum is a design studio that maximizes the value of waste; its material, its form and its engineering. Some materials are transformed in a semi-industrial process while others give birth to unique pieces, such as the glass walls of the Centre Pompidou caterpillar.
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Eager to share more generously the results of its collaborations and research, PCA-STREAM publishes STREAM VOICES, its online magazine!