Aesthetic of Structures is a collective work published by the Architects-Engineers & Engineers-Architects association (AAIIA). Established agencies, young practitioners, researchers and students discuss a new relationship with structures, moving away from the Vitruvian principles of utility, solidity and beauty, towards an economy of materials, reversibility of use and the reuse of materials. Here we meet two of the book’s designers: architect-engineer Antoine Laugier and graphic designer Thanh-Phong Lê, who give us an insight into the book, as an object and as a structure.
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Aurélie Mossé is a designer, researcher and head of the Soft Matters research group at the Ecole des Arts Décoratifs. Using micro-organisms, she is experimenting with the manufacture of innovative materials that are less costly in terms of fossil fuels or non-renewable resources. By producing calcite, bacteria could become allies in the creation of solid building materials.
AI is a new form of intelligence whose development is stirring up concerns and dystopian fables. Far from replacing human intelligence, AIs are emerging as new tools to be trained, controlled and shaped to achieve the desired result. For the artist, photographer, architect, film-maker, musician or illustrator, AIs become an agent with which to collaborate, resulting in co-creation. Inaugural lecture of the “AI and Creation” series at the Stream Innovation Center.
Aesthetic of Structures is a collective work published by the Architects-Engineers & Engineers-Architects association (AAIIA). Established agencies, young practitioners, researchers and students discuss a new relationship with structures, moving away from the Vitruvian principles of utility, solidity and beauty, towards an economy of materials, reversibility of use and the reuse of materials. Here we meet two of the book’s designers: architect-engineer Antoine Laugier and graphic designer Thanh-Phong Lê, who give us an insight into the book, as an object and as a structure.
Although soil is used as a building material in many parts of the world, it has often been regarded as a waste product in France in recent decades, with little use being made of excavated soil. However, its thermal and hygrometric properties, its extremely low carbon footprint when used raw, its abundance and the natural variations in colour that it offers in every region make it a rich and inspiring material for today’s architects and designers. How can we adapt our building techniques to bring this material into line with contemporary requirements, and get rid of the vision of primitive housing that it still evokes for many people?
Collective intelligence has become key to understanding and acting upon the complexity of the contemporary world. But how can the conditions for its advent be brought about? Originating in PSL, the “Life in the Making” collective, which brings together researchers in natural sciences, in the humanities, as well as artists, has been exploring this dialogue between intelligences around the theme of the living since 2014. By operating through a flexible framework, the collective has developed a praxis of interdisciplinary collective intelligence—all the while establishing new insights on life, in particular through experimentations between art and science.
Iris Handschin is an architect. In her final year thesis, DMC: Démocratie, matriarcale, citoyenne (DMC : Democracy, Matriarchy, Citizenship), she explores the relationship between sisterhood and architecture. How can we create a shared space of freedom and undo the hierarchical relationships at play in both private and public spaces? Exploring the possibilities of a feminist architecture inspired by the beguinages, Iris Handschin focuses on the rehabilitation of a former textile factory dating from the 1740s, outlining the contours of a truly democratic space.