An Attempt to Drain Places

  • Publish On 25 February 2021
  • Larissa Fassler
  • 6 minutes

Larissa Fassler is a “Neo-Situationist” artist. By exploring places over the course of many hours, she gleans their ephemeral essence, which she then superimposes on the fixed urban master plan. The subjective maps thus generated highlight both urban narratives and history.

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Vidéo
Vidéo

Bringing together an architectural project and a collection project 

L’agence PCA-STREAM dirigée par l’architecte Philippe Chiambaretta a signé en 2006 le projet de réhabilitation d’un immeuble tertiaire destiné à accueillir le tout nouveau Centre d’Art Contemporain de Kiyv. Le projet architectural s’est construit en parallèle du positionnement éditorial et de la constitution de la collection, en collaboration étroite avec le mécène du projet Viktor Pinchuk et le curateur Nicolas Bourriaud. Retour sur la genèse de ce projet ambitieux, destiné à ouvrir l’Ukraine sur le Monde.

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Podcast

“ My research question was: How do tools for integrating biodiversity into urban and architectural projects contribute to shaping multi-species urban worlds? ”

Translating biodiversity

Léone-Alix Mazaud

Podcast

“ My research question was: How do tools for integrating biodiversity into urban and architectural projects contribute to shaping multi-species urban worlds? ”


Translating biodiversity

In this first episode, Léone revisits the genesis of her research topic and traces the evolution of her methodology. She adopts a “material semiotics” approach, focused on how biodiversity tools translate and make ecological knowledge perceptible. These tools are analyzed as “cosmograms,” according to John Tresch’s concept: objects designed to summarize the order of the world by materially organizing the relationships between humans and non-humans. But an examination of the diversity of these tools quickly reveals the difficulty in producing shared representations of biodiversity. This heterogeneity opens an investigation into the often implicit ways in which these tools shape our thinking and conceptions of the multi-species city.   Working with diversity: Operators sensitive to non-human life in urban and architectural projects In this series of four podcasts, we invite you to delve into the work of Léone, a researcher at the agency, who recently defended her CIFRE PhD thesis in Science and Technology Studies, supervised by Jérôme Denis at the Centre for the Sociology of Innovation (École des Mines, Université PSL). A series presented by Léone-Alix Mazaud and Jasmine Léonardon. Editing: Théa Lingrand.

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Article
Article

Using AI to tell history — podcast transcription

Read our discussion on the subject of generative AI with Raphaël Doan, a specialist in the sciences of Antiquity and author of the uchronia Si Rome n’avait pas chuté (If Rome hadn’t fallen), an essay imagining, with the help of AI, what might have happened if the Industrial Revolution had taken place under the Roman Empire. Through this experiment, fascinating possibilities for historical and archaeological research are outlined, as AI facilitates the processing of archives, the translation of lost languages and the deciphering of burnt texts.

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Vidéo
Vidéo

Beautiful like an encounter on the glass roof of colored clouds

For Daniel Buren, architecture is an open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his site-specific work, where art and architecture meet, just like the Nuages Colorés that cover the scales of the 175 Haussmann glass roof.

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Björn Geldhof

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Culture as a weapon

In this exclusive interview, Björn Geldhof, director of the PinchuckArtCentre in Kyiv, looks at the evolution of the centre’s cultural programming since the outbreak of war in Ukraine. From an institutional space whose primary role was to open up the country to the world, the centre has evolved into a platform for committed and activist research, carrying the voice of Ukraine throughout Europe. By using art to document the conflict, the PinchukArtCentre uses a factual approach to raise awareness in the spheres of opinion and decision-making, thus affirming its role as the country’s ‘artistic arm’.  

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Article

Capturing the Cityscape Through Photography

Émilie d'Orgeix, Corinne Feïss-Jehel, Pierre-Jérôme Jehel

Article

Capturing the Cityscape Through Photography

Over the span of several months, students from GOBELINS Paris scouted La Défense, examining the iconic business district from the fresh perspective of urban metabolism. As part of a documentary workshop led by Pierre-Jérôme Jehel and Laetitia Guillemin (GOBELINS) and designed in partnership with researchers from the City-Metabolism Chair at PSL University, some thirty students explored this territory. They did so by treating it not as a mere backdrop but as a living organism, traversed by flows, tensions, and rhythms, using photography as a tool for revelation. Their projects, located at the crossroads of artistic creation and research, unveil an alternative reading of this mineral space, between invisible flows and underlying tensions. Both sensitive and rigorous, this inquiry is chronicled here by Corinne Feïss Jehel (EPHE-PSL), Pierre-Jérôme Jehel, and Émilie d’Orgeix (EPHE-PSL) as part of a research project conducted by the City-Metabolism Chair (which is financially supported by PCA-STREAM, Artelia, and Groupama Immobilier).

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Article
Article

The potential of the night

Once a sanctuary for dreams and imagination, nighttime has now been relegated to the mere role of a utilitarian prelude to daytime. Nocturnal realms possess an alchemical power capable of transfiguring our perceptions. However, when viewed through the lens of urban uses, the night also exacerbates inequalities and raises questions about the possibility of achieving an urban night that is accessible to everyone. Exploring the range of possibilities associated with the night reveals it as a space-time where complex interactions are woven that could be revitalized through a chronotopic and inclusive architecture.

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Article
Article

Reshaping myths to reveal pressing realities

Ashfika Rahman is a visual artist based in Bangladesh, who recently won the Future Generation Art Prize awarded by the PinchukArtCentre in Ukraine. Faced with the overwhelming power of information systems that are serving dominant narratives, she is working on creating alternative medium of expression, giving their voice back to marginalized communities in her homeland, particularly women. Through her art, Rahman questions myths, folk tales and widely spread prejudice that are still shaping our cultures and legitimating violence, adopting a contemporary and feminist lense. We met with her to discuss her recent work, Behula These Days where she brings together ancient crafts and new techniques to share the poignant and heart-wrenching experiences of women living in one of the most floodprone areas in Bangladesh.

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