Coactivity : Notes for The Great Acceleration, Taipei Biennial 2014

  • Publish On 19 April 2017
  • Nicolas Bourriaud

As a prelude to the Taipei Biennial, Nicolas Bourriaud presents a panorama of contemporary art and its transformations in the era of the Anthropocene. The impact of human activities on the Earth system has led us to the geophysical epoch of the Anthropocene. This condition affects our world view and is bringing about new philosophical perceptions on the world, considered in terms of substance, as the speculative realists invite us to do with their holistic school of thought in which human beings, animals, plants and objects must be treated in the same way. This philosophy resonates strongly with contemporary art, as the relationship between biological life and the inert seems to be the main tension within contemporary culture, creating a “space of coactivity” that provides a new meaning to form and gives birth to what he calls “exformes.”

Nicolas Bourriaud is an art historian, art critic, theorist and exhibition curator. Since 2016, he is the director of the future Montpellier Contemporain (MoCo).

Mechanical activity

1. The extent and acceleration of the industrialization of the planet has prompted a number of scientists to hypothesize the advent of a new geophysical era, the Anthropocene. Following the ten thousand years of the Holocene era, this new age reflects the impact of human activity on the terrestrial system: climate change, deforestation, soil pollution—even the structure of the planet has been modified by humankind, whose effects now outweigh any other geological or natural force.

But the idea of the Anthropocene also points up a paradox: as the collective impact of the species becomes more real and more powerful, so the contemporary individual feels less and less capable of having any effect on his or her surrounding reality. This feeling of individual impotence thus goes hand in hand with the massive, measurable effects of the species, while the techno-structure we have generated seems impossible to control. The human scale has collapsed. Powerless before a computerized economic system where decisions are determined by algorithms capable of performing operations at the speed of light (high-frequency trading already accounts for three quarters of financial operations in the United States), human beings have become spectators or victims of their own infrastructure. We are thus witnessing the emergence of an unprecedented political coalition between the individual/citizen and a new underclass: animals, plants, minerals, and the atmosphere, all attacked by a techno-industrial apparatus that is now clearly detached from civil society.

Anthropocentric activities

7. Today, in the name of the critique of anthropocentrism, the subject is under attack from all sides. More generally, we may note that ever since post-structuralism ran out of steam, the invisible motor of contemporary thought has been the systematic critique of the notion of the “center.” Ethnocentrism, phallocentrism, or anthropocentrism—the proliferation of these highly derogatory terms indicates that the a priori rejection of any kind of centrality constitutes the great battle of our times. Deconstruction can exist only in the approach to a centrality, of whatever kind. The center, as a figure, is the absolute pet peeve of contemporary thought. But then isn’t the human subject itself the supreme center? It was therefore bound to be caught up in this general suspicion whereby today’s thought metes out justice on any kind of pretension. The true crime of humanity, after all, lies in its colonial essence: since the dawn of time, human populations have invaded and occupied those on the fringes, reducing other forms of life to slavery, exploiting their environment to an absurd extent. But, instead of trying to redefine relations between their fellow creatures and other beings, rather than helping to formulate other kinds of relations between the human and the world, contemporary thinkers have merely ended up reducing philosophy to a constantly ruminating bad conscience, to a simple act of contrition, and sometimes even a fetishism of the peripheral. Is not this spectacle of humility, which we call contrition, an extension and reversal of the old Western humanism?

 

Bibliography

explore

Vidéo

Justine Emard, Nicolas Bourriaud, Pierre Pauze

Vidéo

Artificial Intelligence in the creation process

AI is a new form of intelligence whose development is stirring up concerns and dystopian fables. Far from replacing human intelligence, AIs are emerging as new tools to be trained, controlled and shaped to achieve the desired result. For the artist, photographer, architect, film-maker, musician or illustrator, AIs become an agent with which to collaborate, resulting in co-creation. Inaugural lecture of the “AI and Creation” series at the Stream Innovation Center.

Discover
Podcast

“ What can we change in the way we inhabit the land to preserve the soil as an environment? ”

Podcast

“ What can we change in the way we inhabit the land to preserve the soil as an environment? ”


Soil as an environment, property as an inhabiting capacity

Elissa Al Saad is an architect and laureate of the 2023 Palladio Fellowships for her thesis on soil as an environment. By comparing different possible forms of land appropriation, she raises the issue of preserving land resources in relation to ownership. The aim is to think of property as a support for a way of inhabiting that considers land as a common good.

Discover
Podcast

“ Sewers are the mirror image of what happens on the surface. ”

What sewers say about us

Catherine Carré, Thomas Thiebault

Podcast

“ Sewers are the mirror image of what happens on the surface. ”


What sewers say about us

Did you know that we have a lot to learn from sewers? Sewers contain numerous chemical indicators that provide information about the practices of people living above ground, such as the use of medicines and drugs, diet and the state of intestinal flora. By focusing on the city of Paris, the EGOUTS (sewers) research project, funded by the French National Research Agency (ANR), is seeking to shed light on public policy ‘through the dark side of the City of Light’.

Discover
Vidéo

Emmanuelle Déchelette, Lucie Ponard, Thomas Gaudron, Jean-Claude Morel

Vidéo

Soil

Although soil is used as a building material in many parts of the world, it has often been regarded as a waste product in France in recent decades, with little use being made of excavated soil. However, its thermal and hygrometric properties, its extremely low carbon footprint when used raw, its abundance and the natural variations in colour that it offers in every region make it a rich and inspiring material for today’s architects and designers. How can we adapt our building techniques to bring this material into line with contemporary requirements, and get rid of the vision of primitive housing that it still evokes for many people?

Discover
Vidéo

Antoine Laugier, Thanh-Phong Lê

Vidéo

Aesthetic of Structures

Aesthetic of Structures is a collective work published by the Architects-Engineers & Engineers-Architects association (AAIIA). Established agencies, young practitioners, researchers and students discuss a new relationship with structures, moving away from the Vitruvian principles of utility, solidity and beauty, towards an economy of materials, reversibility of use and the reuse of materials. Here we meet two of the book’s designers: architect-engineer Antoine Laugier and graphic designer Thanh-Phong Lê, who give us an insight into the book, as an object and as a structure.

Discover
Vidéo

Jérôme Denis, David Pontille, Bérénice Gaussuin, Fanny Lopez

Vidéo

Restoration, transformation, maintenance

In this round-table discussion, the four researchers look at the issue of transition through the prism of the different notions of maintenance, transformation, repair and restoration. These concepts are reminiscent of the issues of destruction, reconstruction and rehabilitation in architecture.

Discover
Vidéo

Antonin Yuji Maeno, Manon Leconte, Patrick Le Pense, Cyrille Terrolles

Vidéo

Metal

A symbol of the industrial revolution, the rise of metal in construction accompanied the renewal of Paris under Haussmann. Its origins in blast furnaces is associated with a high carbon footprint. Yet it is still widely used in facades, and seems promising for circular economy, as it is easy to dismantle. But is this enough of an advantage? As part of the City Metabolism Chair supported by the Université Paris Sciences & Lettres.  

Discover
Vidéo
Vidéo

The art of artificial life

Justine Emard is a visual artist. Her installations use AI to understand the living, exploring the boundaries between organic life and artificial intelligence. Bee swarms, encephalographic recordings and prehistoric paintings become learning supports for algorithms that, contrary to dystopian imaginations, generate new supra-hyper-organisms.

Discover