Collaborating with situations

  • Publish On 7 July 2021
  • Joana Hadjithomas & Khalil Joreige
  • 4 minutes

The two Lebanese artists and filmmakers were awarded the 2017 Marcel Duchamp Award for Unconformities, a project currently on display at Hamburger Bahnhof in Berlin. This artwork, like their approach, is based on a methodology of investigation and excavation and aims to offer another reading of history and the traces of the past.

Bibliography

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Emmanuelle Déchelette, Lucie Ponard, Thomas Gaudron, Jean-Claude Morel

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Soil

Although soil is used as a building material in many parts of the world, it has often been regarded as a waste product in France in recent decades, with little use being made of excavated soil. However, its thermal and hygrometric properties, its extremely low carbon footprint when used raw, its abundance and the natural variations in colour that it offers in every region make it a rich and inspiring material for today’s architects and designers. How can we adapt our building techniques to bring this material into line with contemporary requirements, and get rid of the vision of primitive housing that it still evokes for many people?

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Justine Emard, Nicolas Bourriaud, Pierre Pauze

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Artificial Intelligence in the creation process

AI is a new form of intelligence whose development is stirring up concerns and dystopian fables. Far from replacing human intelligence, AIs are emerging as new tools to be trained, controlled and shaped to achieve the desired result. For the artist, photographer, architect, film-maker, musician or illustrator, AIs become an agent with which to collaborate, resulting in co-creation. Inaugural lecture of the “AI and Creation” series at the Stream Innovation Center.

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Podcast

“ What will Paris be like under 50°C? How can we postpone this scenario and be better prepared for it? ”

Paris at 50°C

Alexandre Florentin

Podcast

“ What will Paris be like under 50°C? How can we postpone this scenario and be better prepared for it? ”


Paris at 50°C

Our dense, mineral-rich capital is ill-suited to the extreme heat we’ll increasingly have to cope with. So what adaptation strategies can we implement? This is what we asked to Alexandre Florentin, Paris councillor responsible for resilience and climate issues. He chaired the “Paris at 50 degrees” mission, which delivered its report a few months ago: what fields of action for architects and urban designers?

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Aurélie Mossé

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Working with living matter

Aurélie Mossé is a designer, researcher and head of the Soft Matters research group at the Ecole des Arts Décoratifs. Using micro-organisms, she is experimenting with the manufacture of innovative materials that are less costly in terms of fossil fuels or non-renewable resources. By producing calcite, bacteria could become allies in the creation of solid building materials.

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“ Sewers are the mirror image of what happens on the surface. ”

What sewers say about us

Catherine Carré, Thomas Thiebault

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“ Sewers are the mirror image of what happens on the surface. ”


What sewers say about us

Did you know that we have a lot to learn from sewers? Sewers contain numerous chemical indicators that provide information about the practices of people living above ground, such as the use of medicines and drugs, diet and the state of intestinal flora. By focusing on the city of Paris, the EGOUTS (sewers) research project, funded by the French National Research Agency (ANR), is seeking to shed light on public policy ‘through the dark side of the City of Light’.

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“ What can we change in the way we inhabit the land to preserve the soil as an environment? ”

Podcast

“ What can we change in the way we inhabit the land to preserve the soil as an environment? ”


Soil as an environment, property as an inhabiting capacity

Elissa Al Saad is an architect and laureate of the 2023 Palladio Fellowships for her thesis on soil as an environment. By comparing different possible forms of land appropriation, she raises the issue of preserving land resources in relation to ownership. The aim is to think of property as a support for a way of inhabiting that considers land as a common good.

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The art of artificial life

Justine Emard is a visual artist. Her installations use AI to understand the living, exploring the boundaries between organic life and artificial intelligence. Bee swarms, encephalographic recordings and prehistoric paintings become learning supports for algorithms that, contrary to dystopian imaginations, generate new supra-hyper-organisms.

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Article
Article

Collective Intelligence in the Making

Collective intelligence has become key to understanding and acting upon the complexity of the contemporary world. But how can the conditions for its advent be brought about? Originating in PSL, the “Life in the Making” collective, which brings together researchers in natural sciences, in the humanities, as well as artists, has been exploring this dialogue between intelligences around the theme of the living since 2014. By operating through a flexible framework, the collective has developed a praxis of interdisciplinary collective intelligence—all the while establishing new insights on life, in particular through experimentations between art and science.

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