How can a building’s energy balance be maintained as a living organism would? The search for solutions has come to the forefront of contemporary concerns, with a view to finding a way for architecture to self-regulate its energy consumption based on uses and the fluctuations of the environment. One of the first surfaces concerned is the building’s façade, which is very similar to the material envelope of a body or the membrane of a cell: an interface between an interior that must be kept in balance and an exterior that is subject to variations the interior must be protected from. Much is at stake in the case of high-rise buildings. The double-tower high-rise “The Link,” which will emerge in La Défense in 2025, is typically subject to various constraints and challenges. To optimize user comfort, an ideal balance must be found between two paradoxical factors: the importance of daylighting and protection against exterior heat.
In order to draw natural light deeper inside the building, the archetypal form of the high-rise tower is called into question. The Link is made up of two cores connected in a figure-of-eight shape, thereby increasing the exchange surface with the exterior and leading to larger surfaces being exposed to direct sunlight instead of having blind elevator shafts at their core, as is typical in high-rises.
An architectural decision was made to open up as many perspectives as possible on the exceptional landscapes of the Seine hillsides, the Bois de Boulogne Park, the rooftops of Paris, and the La Défense skyline, thanks to full-height glazing.
This vast transparent surface, with 360 degrees of exposure to the sun, must however allow for user thermal comfort, as well as reduced energy use. How can natural light then be allowed in but not the heat, all the while preserving the views of the distant horizon? Tinted glass has run its course—it alters the perception of the landscape and generates significant energy consumption as workspaces must be artificially lit even during the daytime.
Based on the interpretation of a solar simulation, PCA-STREAM’s architectural teams, in partnership with the engineering consultancy VS-A, have worked on adapting the façade to its environmental context. They have developed an envelope with variable typologies to address different constraints, with a single skin on the north side and a double skin on the south side, which has the most sun exposure.
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For Daniel Buren, architecture is an open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his site-specific work, where art and architecture meet, just like the Nuages Colorés that cover the scales of the 175 Haussmann glass roof.
Andrew Freear runs the Rural Studio program at Auburn School of Architecture (USA). He believes that schools of architecture have an ethical responsibility to train citizen architects who are locally committed to concrete projects and experientially connected to contexts and places. To design an inclusive city, the Studio adopts an experimental field approach, combining analysis of the territory’s endemic problems, understanding of residents’ needs and new construction techniques. Read the full interview published in STREAM 05!
Through animation, installation, sculpture and painting, Victor Cord’homme reveals the complexity and tireless workings of an urban system over which humans are losing control. He works on the autonomy of his installations and exhibitions, whose behavior varies according to the audience, invited to interact yet powerless to do so.
Marie-Sarah Adenis is a designer and co-founder of PILI, a company that develops biocoloring agents using microorganisms: an alternative to their petrochemical production. But the heart of her job is to harness the image of “microbes” to overcome the limitations of our imaginations and inject a touch of onirism into the dusty scientific narrative inherited from Pasteur.