Episode 2/5 of the documentary “PCA-STREAM, from research to action” traces the researches carried out for STREAM 02 on new work modes and workspaces. From the subprime mortgage crisis to the new liquid form taken by work, which irremediably blurs the line between work life and private life, this episode concludes with the project #cloud, result of cross-reflection on knowledge capitalism and users’ new expectations about comfort.
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In the documentary “PCA-STREAM, from research to action”, filmmaker Gilles Coudert takes his author’s perspective, a specialist in contemporary art and architecture, on the link between research and action at the heart of the practice of PCA-STREAM agency. He gives the floor to an international panel of researchers, creators and professionals associated with the work of the agency: philosophers, art critics, artists, investors, policy makers, users, etc.
Three architectural projects, realized or in progress, are taken as case studies to illustrate the conditioning of the architectural form by this collaborative exploration approach: #cloud.paris (with SFL), the Stream Building (winner of the competition « Réinventer Paris » , with Eurosic) and Shake (Euralille, with Nacarat). Those projects embody the way in which a metabolic, open and innovative vision of the city takes shape through the exchange and creation of new synergies between actors and visions to move from urban utopia to concrete realization.
A film directed by Gilles Coudert for the Lyon Architecture Biennial. A co-production PCA-STREAM and a.p.r.e.s. Production, 54 min, 2017.
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With the interventions of: Nicolas Bel, engineer, specialist in urban agriculture, founder of Topager – Timothée Boitouzet, architect, entrepreneur, founder of Woodoo – Patrick Bouchain, architect and set designer – Nicolas Bourriaud, art historian, art critic and exhibition curator – Alain Bublex, artist – Thomas Camus, director of operations development at Eurosic – Philippe Chiambaretta, architect, founder of PCA-STREAM – Gilles Clément, landscape designer -Jean-Louis Cohen, architect, architecture historian, professor at Collège de France – Gilles Coudert, director, producer and publisher – Justine Culioli, assistant director of major projects at SFL – Clément Dirié, editor and art critic – Gilbert Emont, director of the Institut Palladio foundation – Julien Eymeri, strategy consultant and co-founder of Quartier Libre – Aurélien Gillier, publisher and designer, editor-in-chief of STREAM 02 – Bertrand Julien-Laferrière, former general manager of SFL – Thomas Lierman, CEO of Nacarat – Éric Mangion, artistic director of the National Contemporary Art Center Villa Arson – Ariane Michel, artist and filmmaker – Jean-Louis Missika, Deputy Mayor of Paris, in charge of town planning, architecture, the Greater Paris project, economic development and attractiveness – Yann Moulier-Boutang, economist and essayist, professor at UTC Compiègne and UTSEUS Shanghai – Pierre Musso, philosopher, professor at Telecom ParisTech – Julien Prévieux, artist – Julie Rouart, editor, editorial director of the art department at Flammarion – David Ruy, architect, director of SCI-Arc post-graduate program, Los Angeles – Xavier Veilhan, artist.
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For Daniel Buren, architecture is an open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his site-specific work, where art and architecture meet, just like the Nuages Colorés that cover the scales of the 175 Haussmann glass roof.
Through animation, installation, sculpture and painting, Victor Cord’homme reveals the complexity and tireless workings of an urban system over which humans are losing control. He works on the autonomy of his installations and exhibitions, whose behavior varies according to the audience, invited to interact yet powerless to do so.
Marie-Sarah Adenis is a designer and co-founder of PILI, a company that develops biocoloring agents using microorganisms: an alternative to their petrochemical production. But the heart of her job is to harness the image of “microbes” to overcome the limitations of our imaginations and inject a touch of onirism into the dusty scientific narrative inherited from Pasteur.
Stripes, banners and colored filters are all part of the signature of renowned artist Daniel Buren. His work is rooted in the landscapes and architectures that welcome him and have become his open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his attraction to transparency and his many collaborations. Discover Les Nuages Colorés, which cover the glass roof of 175 Haussmann with shimmering lights.
Mathieu Arnoux, Professor at the University of Paris and Director of Studies at the EHESS, Isabelle Bensidoun, economist at the CEPII, Vincent Charlet, economist and founder of the Fabrique de l’Industrie and Liliana Doganova, sociologist and researcher at the CSI des Mines de Paris. This concluding conference looks at the social and economic dynamics associated with the exploitation of materials on a national and global scale. The war in Ukraine has revealed our dependence on our neighbours and reopened questions of sovereignty and self-sufficiency. France has been less affected by the Russian gas embargo than Germany, but the transition to renewable energies will not happen without the rare earths that we import mainly from China. The limits of globalisation seem to have been reached. What does this mean for our industry, our sectors and our economic policy? What role will the markets play, particularly the carbon market, in encouraging national and European materials?