Episode 2/5 of the documentary “PCA-STREAM, from research to action” traces the researches carried out for STREAM 02 on new work modes and workspaces. From the subprime mortgage crisis to the new liquid form taken by work, which irremediably blurs the line between work life and private life, this episode concludes with the project #cloud, result of cross-reflection on knowledge capitalism and users’ new expectations about comfort.
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In the documentary “PCA-STREAM, from research to action”, filmmaker Gilles Coudert takes his author’s perspective, a specialist in contemporary art and architecture, on the link between research and action at the heart of the practice of PCA-STREAM agency. He gives the floor to an international panel of researchers, creators and professionals associated with the work of the agency: philosophers, art critics, artists, investors, policy makers, users, etc.
Three architectural projects, realized or in progress, are taken as case studies to illustrate the conditioning of the architectural form by this collaborative exploration approach: #cloud.paris (with SFL), the Stream Building (winner of the competition « Réinventer Paris » , with Eurosic) and Shake (Euralille, with Nacarat). Those projects embody the way in which a metabolic, open and innovative vision of the city takes shape through the exchange and creation of new synergies between actors and visions to move from urban utopia to concrete realization.
A film directed by Gilles Coudert for the Lyon Architecture Biennial. A co-production PCA-STREAM and a.p.r.e.s. Production, 54 min, 2017.
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With the interventions of: Nicolas Bel, engineer, specialist in urban agriculture, founder of Topager – Timothée Boitouzet, architect, entrepreneur, founder of Woodoo – Patrick Bouchain, architect and set designer – Nicolas Bourriaud, art historian, art critic and exhibition curator – Alain Bublex, artist – Thomas Camus, director of operations development at Eurosic – Philippe Chiambaretta, architect, founder of PCA-STREAM – Gilles Clément, landscape designer -Jean-Louis Cohen, architect, architecture historian, professor at Collège de France – Gilles Coudert, director, producer and publisher – Justine Culioli, assistant director of major projects at SFL – Clément Dirié, editor and art critic – Gilbert Emont, director of the Institut Palladio foundation – Julien Eymeri, strategy consultant and co-founder of Quartier Libre – Aurélien Gillier, publisher and designer, editor-in-chief of STREAM 02 – Bertrand Julien-Laferrière, former general manager of SFL – Thomas Lierman, CEO of Nacarat – Éric Mangion, artistic director of the National Contemporary Art Center Villa Arson – Ariane Michel, artist and filmmaker – Jean-Louis Missika, Deputy Mayor of Paris, in charge of town planning, architecture, the Greater Paris project, economic development and attractiveness – Yann Moulier-Boutang, economist and essayist, professor at UTC Compiègne and UTSEUS Shanghai – Pierre Musso, philosopher, professor at Telecom ParisTech – Julien Prévieux, artist – Julie Rouart, editor, editorial director of the art department at Flammarion – David Ruy, architect, director of SCI-Arc post-graduate program, Los Angeles – Xavier Veilhan, artist.
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A symbol of the industrial revolution, the rise of metal in construction accompanied the renewal of Paris under Haussmann. Its origins in blast furnaces is associated with a high carbon footprint. Yet it is still widely used in facades, and seems promising for circular economy, as it is easy to dismantle. But is this enough of an advantage? As part of the City Metabolism Chair supported by the Université Paris Sciences & Lettres.
With Mathieu Merlet Briand, artist, Benoit Roman, research director at the CNRS, Xavier Baris from Kairos and Michael Gaultois, Chief Scientific Officer of Fairmat. With the growing disenchantment of the public and designers alike with plastic, perceived as the offspring of the oil years and the symbol of a disposable world, the development of new materials that respond to contemporary challenges by proposing circular production schemes is long overdue. The Deeptech ecosystem is struggling to get off the ground in France, given the investment required. The government and the regions are encouraging research and entrepreneurial initiatives such as the FLOWER project to develop composites made from flax fibre, a plant widely grown in France. What are the neo-composites of tomorrow? What new mythologies do they invoke?
With Marie Sarah Adenis, artist, Aurélie Mossé, research professor at ENSAD, and Simon Trancart, Head of Adaptative Laboratory Evolution at Ginkgo BioWorks. Wood is often referred to as a living material because it reacts to ambient humidity and develops a patina. However, when a tree is cut down to exploit its wood, it dies and ceases to photosynthesise. What other forms of living matter can we cultivate and grow to build and create, and what ethics should we apply? What does the future hold for organic materials that can regenerate rapidly or perhaps never die and continue to evolve as living matter? From the colourimetric properties of microbes to the use of algae to develop alternative chemical reactions to form cements and ceramics that emit less carbon, what possibilities does living matter offer us for rethinking creation?