As part of the documentary “PCA-STREAM: From research to action”, we interviewed Jean-Louis Cohen, architect, historian of Architecture and professor at the Collège de France.
He depicts a profession that is concerned about its place in the world today, and describes how architects are reinventing themselves in order to face the social, technical and environmental challenges of the 21st century.
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A philosopher and senior lecturer at the National School of Architecture of Marseille, Matthieu Duperrex explores ‘sentinel landscapes’—polluted soils, engineered rivers, industrial port zones—from a decolonial, multidisciplinary perspective attentive to the various ways of narrating the damaged world we have inherited. He regards these sites both as places of warning and as spaces of knowledge.
Andrew Freear runs the Rural Studio program at Auburn School of Architecture (USA). He believes that schools of architecture have an ethical responsibility to train citizen architects who are locally committed to concrete projects and experientially connected to contexts and places. To design an inclusive city, the Studio adopts an experimental field approach, combining analysis of the territory’s endemic problems, understanding of residents’ needs and new construction techniques. Read the full interview published in STREAM 05!
Read our discussion on the subject of generative AI with Raphaël Doan, a specialist in the sciences of Antiquity and author of the uchronia Si Rome n’avait pas chuté (If Rome hadn’t fallen), an essay imagining, with the help of AI, what might have happened if the Industrial Revolution had taken place under the Roman Empire. Through this experiment, fascinating possibilities for historical and archaeological research are outlined, as AI facilitates the processing of archives, the translation of lost languages and the deciphering of burnt texts.
In this exclusive interview, Björn Geldhof, director of the PinchuckArtCentre in Kyiv, looks at the evolution of the centre’s cultural programming since the outbreak of war in Ukraine. From an institutional space whose primary role was to open up the country to the world, the centre has evolved into a platform for committed and activist research, carrying the voice of Ukraine throughout Europe. By using art to document the conflict, the PinchukArtCentre uses a factual approach to raise awareness in the spheres of opinion and decision-making, thus affirming its role as the country’s ‘artistic arm’.
Ashfika Rahman is a visual artist based in Bangladesh, who recently won the Future Generation Art Prize awarded by the PinchukArtCentre in Ukraine. Faced with the overwhelming power of information systems that are serving dominant narratives, she is working on creating alternative medium of expression, giving their voice back to marginalized communities in her homeland, particularly women. Through her art, Rahman questions myths, folk tales and widely spread prejudice that are still shaping our cultures and legitimating violence, adopting a contemporary and feminist lense. We met with her to discuss her recent work, Behula These Days where she brings together ancient crafts and new techniques to share the poignant and heart-wrenching experiences of women living in one of the most floodprone areas in Bangladesh.
L’agence PCA-STREAM dirigée par l’architecte Philippe Chiambaretta a signé en 2006 le projet de réhabilitation d’un immeuble tertiaire destiné à accueillir le tout nouveau Centre d’Art Contemporain de Kiyv. Le projet architectural s’est construit en parallèle du positionnement éditorial et de la constitution de la collection, en collaboration étroite avec le mécène du projet Viktor Pinchuk et le curateur Nicolas Bourriaud. Retour sur la genèse de ce projet ambitieux, destiné à ouvrir l’Ukraine sur le Monde.