Site-specific art, invading architecture

  • Publish On 2 August 2024
  • Daniel Buren, Philippe Chiambaretta
  • 7 minutes

Stripes, banners and colored filters are all part of the signature of renowned artist Daniel Buren. His work is rooted in the landscapes and architectures that welcome him and have become his open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his attraction to transparency and his many collaborations. Discover Les Nuages Colorés, which cover the glass roof of 175 Haussmann with shimmering lights.

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Podcast

“ Architecture has a unique relationship with the transformation of reality: it is, in a way, atlastic. ”

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“ Architecture has a unique relationship with the transformation of reality: it is, in a way, atlastic. ”


Architecture is a political practice

Manuel Bello Marcano is an architect, lecturer at ENSA Saint-Etienne and sociologist of the imaginary at the Centre d’études pour l’actuel et le quotidien – CEAQ, Université Paris Descartes (Center for Current and Everyday Studies at Paris Descartes University). In his view, architecture is an act of aggregation designed to put the world in order: in this sense, he is interested in the political fictions mobilized to equip our thinking and, in this case, to build a “ togetherness ”. Follow his words and discover animality understood as community.

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Beautiful like an encounter on the glass roof of colored clouds

For Daniel Buren, architecture is an open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his site-specific work, where art and architecture meet, just like the Nuages Colorés that cover the scales of the 175 Haussmann glass roof.

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Podcast transcript: urban metabolism, at the heart of the matter

In urban planning and geography, the concept of metabolism is frequently discussed. This organicist metaphor likens a territory to a body, traversed by flows of materials and energy that link it to its environment. From a quantitative perspective, these flows can be measured over time and space to assess what a territory consumes, processes, and produces. However, a qualitative approach is equally crucial, examining the political and social trade-offs that shape urban metabolisms. With this in mind, we spoke with two researchers, Clément Dillenseger and Pierre Desvaux, who have explored the waste sector to analyze the socio-technical infrastructures that underpin metabolism and the imaginaries that shape its perception.

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On the occasion of its integration into the Paris Sciences et Lettres (PSL) university consortium, the École nationale supérieure d’architecture de Paris-Malaquais is publishing a manifesto that asserts its institutional positioning. Far more than a mere text, this manifesto lays the foundations for a committed academic vision, emphasizing the urgent need to train architects engaged in transforming the ways we inhabit the world. Structured around twelve key concepts, it is intended as a compass to guide the school’s pedagogical and strategic choices, in alignment with the 2025–2029 National Strategy for Architecture. In this interview, its director, Jean-Baptiste de Froment, reflects on the values driving this project and on how the school positions itself as a proactive agent of thought and action within the contemporary architectural landscape.

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“ My research question was: How do tools for integrating biodiversity into urban and architectural projects contribute to shaping multi-species urban worlds? ”

Translating biodiversity

Léone-Alix Mazaud

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“ My research question was: How do tools for integrating biodiversity into urban and architectural projects contribute to shaping multi-species urban worlds? ”


Translating biodiversity

In this first episode, Léone revisits the genesis of her research topic and traces the evolution of her methodology. She adopts a “material semiotics” approach, focused on how biodiversity tools translate and make ecological knowledge perceptible. These tools are analyzed as “cosmograms,” according to John Tresch’s concept: objects designed to summarize the order of the world by materially organizing the relationships between humans and non-humans. But an examination of the diversity of these tools quickly reveals the difficulty in producing shared representations of biodiversity. This heterogeneity opens an investigation into the often implicit ways in which these tools shape our thinking and conceptions of the multi-species city.   Working with diversity: Operators sensitive to non-human life in urban and architectural projects In this series of four podcasts, we invite you to delve into the work of Léone, a researcher at the agency, who recently defended her CIFRE PhD thesis in Science and Technology Studies, supervised by Jérôme Denis at the Centre for the Sociology of Innovation (École des Mines, Université PSL). A series presented by Léone-Alix Mazaud and Jasmine Léonardon. Editing: Théa Lingrand.

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Matthieu Duperrex

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A philosopher and senior lecturer at the National School of Architecture of Marseille, Matthieu Duperrex explores ‘sentinel landscapes’—polluted soils, engineered rivers, industrial port zones—from a decolonial, multidisciplinary perspective attentive to the various ways of narrating the damaged world we have inherited. He regards these sites both as places of warning and as spaces of knowledge.

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“ A catastrophe is when a belief or certitude suddenly collapses. From its ruins, narrative, political, economic and ecological utopias can be reborn. ”

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“ A catastrophe is when a belief or certitude suddenly collapses. From its ruins, narrative, political, economic and ecological utopias can be reborn. ”


Can new narratives arise from ruins?

Raphaëlle Guidée is a specialist in narrative representations of economic, environmental and societal collapse. For over 10 years, she has analyzed the narratives surrounding Detroit’s bankruptcy in order to understand how an apparent ruin of capitalism can inspire discourses of domination or resistance. In La ville d’après : Détroit, une enquête narrative [The Aftermath City: Detroit, a narrative investigation] (Flammarion), rather than focusing on fictions, she seeks out testimonies and concrete stories, believing that modern times don’t need new narratives. We simply need alternative narratives. Read the transcription of the podcast.

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Björn Geldhof

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Culture as a weapon

In this exclusive interview, Björn Geldhof, director of the PinchuckArtCentre in Kyiv, looks at the evolution of the centre’s cultural programming since the outbreak of war in Ukraine. From an institutional space whose primary role was to open up the country to the world, the centre has evolved into a platform for committed and activist research, carrying the voice of Ukraine throughout Europe. By using art to document the conflict, the PinchukArtCentre uses a factual approach to raise awareness in the spheres of opinion and decision-making, thus affirming its role as the country’s ‘artistic arm’.  

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