Stripes, banners and colored filters are all part of the signature of renowned artist Daniel Buren. His work is rooted in the landscapes and architectures that welcome him and have become his open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his attraction to transparency and his many collaborations. Discover Les Nuages Colorés, which cover the glass roof of 175 Haussmann with shimmering lights.
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For Daniel Buren, architecture is an open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his site-specific work, where art and architecture meet, just like the Nuages Colorés that cover the scales of the 175 Haussmann glass roof.
Through animation, installation, sculpture and painting, Victor Cord’homme reveals the complexity and tireless workings of an urban system over which humans are losing control. He works on the autonomy of his installations and exhibitions, whose behavior varies according to the audience, invited to interact yet powerless to do so.
Marie-Sarah Adenis is a designer and co-founder of PILI, a company that develops biocoloring agents using microorganisms: an alternative to their petrochemical production. But the heart of her job is to harness the image of “microbes” to overcome the limitations of our imaginations and inject a touch of onirism into the dusty scientific narrative inherited from Pasteur.
Stripes, banners and colored filters are all part of the signature of renowned artist Daniel Buren. His work is rooted in the landscapes and architectures that welcome him and have become his open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his attraction to transparency and his many collaborations. Discover Les Nuages Colorés, which cover the glass roof of 175 Haussmann with shimmering lights.
Mathieu Arnoux, Professor at the University of Paris and Director of Studies at the EHESS, Isabelle Bensidoun, economist at the CEPII, Vincent Charlet, economist and founder of the Fabrique de l’Industrie and Liliana Doganova, sociologist and researcher at the CSI des Mines de Paris. This concluding conference looks at the social and economic dynamics associated with the exploitation of materials on a national and global scale. The war in Ukraine has revealed our dependence on our neighbours and reopened questions of sovereignty and self-sufficiency. France has been less affected by the Russian gas embargo than Germany, but the transition to renewable energies will not happen without the rare earths that we import mainly from China. The limits of globalisation seem to have been reached. What does this mean for our industry, our sectors and our economic policy? What role will the markets play, particularly the carbon market, in encouraging national and European materials?