Groupama Real Estate and PCA-STREAM unveil The Link, a tower that will convey a new image for La Défense and serve as an emblem of the reinvention of work and the transformation of our relation to the city.
PCA-STREAM has imagined a highly specific morphology for this innovative tower, capitalizing on the size of the parcel by splitting it in two distinct wings that are interconnected by thirty platforms, the “Links.” These platforms are the key defining and distinctive feature of the tower. They are more than eight meters wide and are offer on each floor terraces and hanging gardens that boast spectacular views. The Links are designed as spaces for collective work and as meeting points for users—in other words, they act as real “village squares” within the high-rise tower.
“The towers we have in La Défense are basically stacks of office floors with an average surface of 1,800 sqm, in which employees are isolated in small groups of 150 people. Access to the natural light is uneven, outdoor spaces are non-existent, and common spaces in which to work together are very limited. The traditional office tower does not address the new paradigm of work spaces, namely as places that foster cohesion, a sense of togetherness, and collective intelligence all the while providing comfortable conditions to all its users. This can create a sense of isolation and anonymity among employees who can often only meet up at the foot of their tower”. - Philippe Chiambaretta
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For Daniel Buren, architecture is an open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his site-specific work, where art and architecture meet, just like the Nuages Colorés that cover the scales of the 175 Haussmann glass roof.
Andrew Freear runs the Rural Studio program at Auburn School of Architecture (USA). He believes that schools of architecture have an ethical responsibility to train citizen architects who are locally committed to concrete projects and experientially connected to contexts and places. To design an inclusive city, the Studio adopts an experimental field approach, combining analysis of the territory’s endemic problems, understanding of residents’ needs and new construction techniques. Read the full interview published in STREAM 05!
Once a sanctuary for dreams and imagination, nighttime has now been relegated to the mere role of a utilitarian prelude to daytime. Nocturnal realms possess an alchemical power capable of transfiguring our perceptions. However, when viewed through the lens of urban uses, the night also exacerbates inequalities and raises questions about the possibility of achieving an urban night that is accessible to everyone. Exploring the range of possibilities associated with the night reveals it as a space-time where complex interactions are woven that could be revitalized through a chronotopic and inclusive architecture.
Through animation, installation, sculpture and painting, Victor Cord’homme reveals the complexity and tireless workings of an urban system over which humans are losing control. He works on the autonomy of his installations and exhibitions, whose behavior varies according to the audience, invited to interact yet powerless to do so.
The growth in energy consumption and the obsolescence of our infrastructures suggest that by 2030, we’ll have a stock of 60,000 tonnes of end-of-life wind turbines per year. To absorb this material on an industrial scale, we need to invent new ways of producing, consuming and building. With this in mind, the La Paletière project aims to reuse turbine blades – composite materials with multiple properties – by turning them into roofing elements.