At emlyon’s upcoming Gerland campus, which welcomed its inaugural students in September 2024, we’ve arranged the buildings around a spacious interior street and a spectacular central hub—Cœur Battant, the “beating heart” of the campus—where daily activities and key school events will converge. Every element is designed to foster interaction, serendipity, and collective intelligence. The campus opens itself up to the city, as well as to businesses and events. It is fully aligned with the environmental dynamics of the Gerland District as well, with its extensive garden and commonsense approach to sustainability, exemplified by its uncomplicated and efficient facades adorned with terraces and inviting outdoor walkways.
Modularity
ACTE VII
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With Ivry Confluences, located in a changing urban landscape featuring brownfield sites and eco-districts, PCA-STREAM is designing a symbol of the revitalization of the south end of Ivry-sur-Seine. In dialogue with the local industrial heritage, the studio reinterprets the morphology of railway halls to develop a new complex with exacting environmental standards. An exemplar of next-generation offices, Ivry Confluences takes an active part in adding to the vibrancy and diversity of the district thanks to its active base and an extensive garden that opens onto the city.
Pinchuk Art Centre
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PCA-STREAM has designed a museum for the art collection of the Ukrainian philanthropist Victor Pinchuk in the heart of the historical city center of Kiev. Inaugurated in 2006, this center is a beacon for contemporary art in Eastern Europe and has contributed to the promotion of cultural exchanges between the East and the West these past ten years.
Interview with Arik Levy
An industrial design graduate of the Art Center College of Design of La Tour-de-Peilz, Arik Levy is an artist and a designer. Arik Levy now directs the Arik Levy Art and Design Studio, specialized in a multidisciplinary approach. He also teaches at the École Nationale Supérieure de Création Industrielle / Les Ateliers in Paris and leads design workshops in various design schools across Europe.
Training Citizen Architects to Serve a Community
Designing an inclusive city implies involving their residents in urban projects, but what is the role of architects and urban planners in this process? For Andrew Freear, the head of the Rural Studio program, they both have the ethical responsibility of getting locally involved via concrete projects. Architectural schools must thus take on training citizen architects by engaging them in learning by doing, and thus have them redevelop a deep connection with context and places, acting as neighbors and activists within communities in order to collectively carry out experimental projects that tangibly improve society and the environment.
Collaborating with situations
The two Lebanese artists and filmmakers were awarded the 2017 Marcel Duchamp Award for Unconformities, a project currently on display at Hamburger Bahnhof in Berlin. This artwork, like their approach, is based on a methodology of investigation and excavation and aims to offer another reading of history and the traces of the past.
Design: Reparation
Nicolas Nova is a social anthropologist. Inspired by New Media Studies and design fiction, he contends that the future of design lies in recycling and reparation as well as reinventing forms and functions. Did you know that a used flip-flop could serve as a lighter?
From "Mediance" to Places
The geographer and orientalist Augustin Berque revisits the polysemic dimension of the term “milieu,” and explains the distinction made by mesology—“the area of biology that deals with the relationships between the environments and organisms”—between “environment” and “milieu.” The reality of things differs depending on the environment of each species or culture, the object doesn’t exist in itself but according to its relationship with the subject. In this way, mesology goes much further than the subject/object dualism of modern science. Ontologically “trajective,” the environment is neither objective nor subjective, but firmly between the two theoretical subject/object centers. Berque takes the term “mediance,” meaning the dynamic coupling of the individual and their surroundings, from the Japanese “fūdo,” to which he adds “trajection,” a process that results in the “mediance” of human existence in its concrete surroundings. Taken as a whole, all human environments, distinct from the biosphere through their eco-techno-symbolic dimension, form the ecumene. For architecture, this implies a respect for history and the environment, without mimicking ancient forms, creating from the “mediance” of each place.
An Attempt to Drain Places
Larissa Fassler is a “Neo-Situationist” artist. By exploring places over the course of many hours, she gleans their ephemeral essence, which she then superimposes on the fixed urban master plan. The subjective maps thus generated highlight both urban narratives and history.
Maximizing reuse, minimizing transformation
Maximum is a design studio that maximizes the value of waste; its material, its form and its engineering. Some materials are transformed in a semi-industrial process while others give birth to unique pieces, such as the glass walls of the Centre Pompidou caterpillar.
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stream voices
Eager to share more generously the results of its collaborations and research, PCA-STREAM publishes STREAM VOICES, its online magazine!
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