Soil
“ Making the most out of urine in agriculture isn't a technological or technical issue, it's a matter of social organization. ”
“ Making the most out of urine in agriculture isn't a technological or technical issue, it's a matter of social organization. ”
Recycling urine to fertilize the soil
Since urine is an inexhaustible ecological fertilizer, why not use it instead of chemical fertilizers that are expensive to produce? Designer Louise Raguet suggests bringing back to the fields what has been collected there. Her research with the LEESU laboratory (École des Ponts) has led her to develop a unique project: urine separation in the future Saint-Vincent de Paul district of Paris.
Representing geological time
Noémie Goudal is a visual artist. Finalist for the 2024 Marcel Duchamp award, she works on our relationship with time, with a particular interest in paleoclimatology: the history of ancient climates. Basing her artistic work on the research carried out by contemporary scientists, she questions our relationship with the landscape and its movement, redefining our perception of the world.
“ What can we change in the way we inhabit the land to preserve the soil as an environment? ”
“ What can we change in the way we inhabit the land to preserve the soil as an environment? ”
Soil as an environment, property as an inhabiting capacity
Elissa Al Saad is an architect and laureate of the 2023 Palladio Fellowships for her thesis on soil as an environment. By comparing different possible forms of land appropriation, she raises the issue of preserving land resources in relation to ownership. The aim is to think of property as a support for a way of inhabiting that considers land as a common good.
Training Citizen Architects to Serve a Community
Designing an inclusive city implies involving their residents in urban projects, but what is the role of architects and urban planners in this process? For Andrew Freear, the head of the Rural Studio program, they both have the ethical responsibility of getting locally involved via concrete projects. Architectural schools must thus take on training citizen architects by engaging them in learning by doing, and thus have them redevelop a deep connection with context and places, acting as neighbors and activists within communities in order to collectively carry out experimental projects that tangibly improve society and the environment.
Collaborating with situations
The two Lebanese artists and filmmakers were awarded the 2017 Marcel Duchamp Award for Unconformities, a project currently on display at Hamburger Bahnhof in Berlin. This artwork, like their approach, is based on a methodology of investigation and excavation and aims to offer another reading of history and the traces of the past.
Design: Reparation
Nicolas Nova was a social anthropologist. Inspired by New Media Studies and design fiction, he contends that the future of design lies in recycling and reparation as well as reinventing forms and functions. Did you know that a used flip-flop could serve as a lighter?
From "Mediance" to Places
The geographer and orientalist Augustin Berque revisits the polysemic dimension of the term “milieu,” and explains the distinction made by mesology—“the area of biology that deals with the relationships between the environments and organisms”—between “environment” and “milieu.” The reality of things differs depending on the environment of each species or culture, the object doesn’t exist in itself but according to its relationship with the subject. In this way, mesology goes much further than the subject/object dualism of modern science. Ontologically “trajective,” the environment is neither objective nor subjective, but firmly between the two theoretical subject/object centers. Berque takes the term “mediance,” meaning the dynamic coupling of the individual and their surroundings, from the Japanese “fūdo,” to which he adds “trajection,” a process that results in the “mediance” of human existence in its concrete surroundings. Taken as a whole, all human environments, distinct from the biosphere through their eco-techno-symbolic dimension, form the ecumene. For architecture, this implies a respect for history and the environment, without mimicking ancient forms, creating from the “mediance” of each place.
An Attempt to Drain Places
Larissa Fassler is a “Neo-Situationist” artist. By exploring places over the course of many hours, she gleans their ephemeral essence, which she then superimposes on the fixed urban master plan. The subjective maps thus generated highlight both urban narratives and history.
Maximizing reuse, minimizing transformation
Maximum is a design studio that maximizes the value of waste; its material, its form and its engineering. Some materials are transformed in a semi-industrial process while others give birth to unique pieces, such as the glass walls of the Centre Pompidou caterpillar.
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