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Alisa Andrasek

Architect, director of the Biothing laboratory, and partner of Bloom Games, Alisa Andrasek is a professor at the Architectural Association of London. She curates the PROTO/E/CO/LOGICS symposiums in Rovinj, Croatia, and has given courses at Columbia, at the Pratt Institute, UPenn and RMIT Melbourne. Her research and experimental practice in architecture are based on computational design, generative processes and the study of the distribution of information in complex natural phenomena.   Biothing

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Stone

Elisabeth Bouchaud, Cyril Pressacco, Denis Macrez, Ana Hedan, Paul Vergonjeanne

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Stone

Discover the inaugural lecture of the “Alma Matter” series! In a world where the myth of abundance is collapsing, this series of lectures looks at what matter really has to offer. Actors, professions, economies, temporalities, geopolitics: how do contemporary issues of creation take shape through those of matter? Each talk focuses on a particular material, and brings together its stakeholders in a dialogue. The use of stone in construction declined during the twentieth century. Today, its return is acclaimed for its qualities: inertia, durability, low-emission processing, local presence… but what techniques and applications will be used in 2024? As part of the City Metabolism Chair supported by the Université Paris Sciences & Lettres.

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Complexity, multiplicity, and adapatation within ecosystems

Alisa Andrasek

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Complexity, multiplicity, and adapatation within ecosystems

Contemporary architectural research is often fascinated by biological life but with an approach that goes beyond simple organic metaphors thanks to recent technological developments. Alisa Andrasek discusses the link between biology and her architectural practice, and her interest in the distribution of information in natural processes—a complexity that she tries to approach via big data. Her work in computational design is influenced by the convergence between information and materials, in an increasingly complex and open synthesis which enables it to go beyond the production of form and address the dynamic processes of matter itself. Alisa Andrasek is an architect, director and founder of the Biothing laboratory. She teaches at the Architectural Association of London.

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Training Citizen Architects to Serve a Community

Andrew Freear

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Training Citizen Architects to Serve a Community

Designing an inclusive city implies involving their residents in urban projects, but what is the role of architects and urban planners in this process? For Andrew Freear, the head of the Rural Studio program, they both have the ethical responsibility of getting locally involved via concrete projects. Architectural schools must thus take on training citizen architects by engaging them in learning by doing, and thus have them redevelop a deep connection with context and places, acting as neighbors and activists within communities in order to collectively carry out experimental projects that tangibly improve society and the environment.

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Collaborating with situations

Joana Hadjithomas & Khalil Joreige

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Collaborating with situations

The two Lebanese artists and filmmakers were awarded the 2017 Marcel Duchamp Award for Unconformities, a project currently on display at Hamburger Bahnhof in Berlin. This artwork, like their approach, is based on a methodology of investigation and excavation and aims to offer another reading of history and the traces of the past.

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Design: Reparation

Nicolas Nova

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Design: Reparation

Nicolas Nova is a social anthropologist. Inspired by New Media Studies and design fiction, he contends that the future of design lies in recycling and reparation as well as reinventing forms and functions. Did you know that a used flip-flop could serve as a lighter?

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From "Mediance" to Places

Augustin Berque

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From "Mediance" to Places

The geographer and orientalist Augustin Berque revisits the polysemic dimension of the term “milieu,” and explains the distinction made by mesology—“the area of biology that deals with the relationships between the environments and organisms”—between “environment” and “milieu.” The reality of things differs depending on the environment of each species or culture, the object doesn’t exist in itself but according to its relationship with the subject. In this way, mesology goes much further than the subject/object dualism of modern science. Ontologically “trajective,” the environment is neither objective nor subjective, but firmly between the two theoretical subject/object centers. Berque takes the term “mediance,” meaning the dynamic coupling of the individual and their surroundings, from the Japanese “fūdo,” to which he adds “trajection,” a process that results in the “mediance” of human existence in its concrete surroundings. Taken as a whole, all human environments, distinct from the biosphere through their eco-techno-symbolic dimension, form the ecumene. For architecture, this implies a respect for history and the environment, without mimicking ancient forms, creating from the “mediance” of each place.

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An Attempt to Drain Places

Larissa Fassler

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An Attempt to Drain Places

Larissa Fassler is a “Neo-Situationist” artist. By exploring places over the course of many hours, she gleans their ephemeral essence, which she then superimposes on the fixed urban master plan. The subjective maps thus generated highlight both urban narratives and history.

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Maximizing reuse, minimizing transformation

Armand Bernoud

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Maximizing reuse, minimizing transformation

Maximum is a design studio that maximizes the value of waste; its material, its form and its engineering. Some materials are transformed in a semi-industrial process while others give birth to unique pieces, such as the glass walls of the Centre Pompidou caterpillar.

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Eager to share more generously the results of its collaborations and research, PCA-STREAM publishes STREAM VOICES, its online magazine!

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