Eager to share more generously the fruits of its collaborations and research, PCA-STREAM publishes STREAM VOICES, a digital research and innovation magazine that explores the making of the metabolic city.
Criticizing architecture’s anthropocentrism, Ariane Lourie Harrison expands on the concept of a post-human architecture, which she teaches at Yale. An interactive architecture thus arises, putting technology at the service of a “new nature” so that façades can provide refuge to birds and pollinators.
The artist, whose work is being exhibited until March 20, 2022, at the Paris Museum of Hunting and Nature, reproduces forms that history has endlessly discarded and returned to. By imitating nature in order to draw closer to it, she evokes myths both ancient and contemporary. Between rebirth and abandonment, immerse yourself in her cardboard gardens.
Pierre Kerrand is a nursery manager specializing in the cultivation of plants of the Tillandsia genus. These are specifically selected for better adaptation to our latitudes and to meet our needs. They produce colorful flowers and can withstand both drought and moisture, as well as variable temperatures. They require no maintenance and, most importantly, thrive without any need for soil and are very effective at remediating air pollution.
We met Mathias Rollot as part of our research on living organisms. At his request, the interview above, which was produced for Stream Voices, PCA-STREAM’s research media, is no longer available. In this video, Mathias Rollot, a PhD professor, introduced us to the concept of “bio-region”, which was devised in the 1970s in the United States as a tool to describe the possibility of inventing new ways of living. By going beyond administrative boundaries, it allows us to develop an imagination, rather than a finite cartography, of a territory to be better inhabited, to be re-inhabited.
A specialist of the living, philosopher Emanuele Coccia imagines how architects could make the cohabitation between species possible without necessarily having to carry out an act of ecological repentance or abandoning modernity. A “building as a forest” and a city as a natural reserve are a few examples of the irruption of fantasy within the city.
Anthropologist and geographer Sonia Lavadinho has been working on issues related to sustainable mobility for the past fifteen years, and in particular on the way urban planning can improve walkability. She believes shifting from the “functional city” to the “relational city” will primarily stem from our relationship to time.
Lucile Viaud is a designer and “geoglass” artist. Working from salvaged materials, she crafts objects that carry within them the history of the territories from where the materials originate. Its snail or abalone shells, forgotten sands, and powdered seaweed are slices of fleeting time and result in objects that cannot be replicated.
The anthropologist and author of How Forests Think (University of California Press, 2013) recounts his Amazonian experience among the Runa people in order to convey to our Western minds the idea of a language that can go beyond words and symbols. A language that connects the beings of the forest, both human and non-human. A language that we seem to have forgotten…
From virtual canteens to connected fridges, a whole range of innovations is gradually being introduced in office buildings. They are part of a fundamental movement that is shaking up our lunchtime practices. It’s no longer just a question of space, but now also of experience. As is often the case, these innovations are provoking change as much as they are responding to our changing needs. Will the company restaurant be able to respond?
Rob Hopkins is the instigator of the international “The Transition Towns” movement, which supports many environmentally responsible initiatives carried out by both municipalities and citizens. Its primary goal is to unleash our imagination in order to inspire the desire and the courage to act.
Designing an inclusive city implies involving their residents in urban projects, but what is the role of architects and urban planners in this process? For Andrew Freear, the head of the Rural Studio program, they both have the ethical responsibility of getting locally involved via concrete projects. Architectural schools must thus take on training citizen architects by engaging them in learning by doing, and thus have them redevelop a deep connection with context and places, acting as neighbors and activists within communities in order to collectively carry out experimental projects that tangibly improve society and the environment.
The two Lebanese artists and filmmakers were awarded the 2017 Marcel Duchamp Award for Unconformities, a project currently on display at Hamburger Bahnhof in Berlin. This artwork, like their approach, is based on a methodology of investigation and excavation and aims to offer another reading of history and the traces of the past.
Nicolas Nova is a social anthropologist. Inspired by New Media Studies and design fiction, he contends that the future of design lies in recycling and reparation as well as reinventing forms and functions. Did you know that a used flip-flop could serve as a lighter?
The geographer and orientalist Augustin Berque revisits the polysemic dimension of the term “milieu,” and explains the distinction made by mesology—“the area of biology that deals with the relationships between the environments and organisms”—between “environment” and “milieu.” The reality of things differs depending on the environment of each species or culture, the object doesn’t exist in itself but according to its relationship with the subject. In this way, mesology goes much further than the subject/object dualism of modern science. Ontologically “trajective,” the environment is neither objective nor subjective, but firmly between the two theoretical subject/object centers. Berque takes the term “mediance,” meaning the dynamic coupling of the individual and their surroundings, from the Japanese “fūdo,” to which he adds “trajection,” a process that results in the “mediance” of human existence in its concrete surroundings. Taken as a whole, all human environments, distinct from the biosphere through their eco-techno-symbolic dimension, form the ecumene. For architecture, this implies a respect for history and the environment, without mimicking ancient forms, creating from the “mediance” of each place.
Larissa Fassler is a “Neo-Situationist” artist. By exploring places over the course of many hours, she gleans their ephemeral essence, which she then superimposes on the fixed urban master plan. The subjective maps thus generated highlight both urban narratives and history.
Maximum is a design studio that maximizes the value of waste; its material, its form and its engineering. Some materials are transformed in a semi-industrial process while others give birth to unique pieces, such as the glass walls of the Centre Pompidou caterpillar.
stream voices
Eager to share more generously the results of its collaborations and research, PCA-STREAM publishes STREAM VOICES, its online magazine!