New aesthetics

Wood

France has the 4th largest forest area in Europe, yet 40% of its timber is imported. At a time when Google’s London headquarters, designed in 2016 with a solid wood structure, has still not been delivered, and when the tallest wooden tower is due to be built in Tokyo in 2028, reaching a height of 100 metres, where does France stand in relation to wood? The RE2020, through the dynamic life cycle analysis, encourages the use of bio-sourced materials to promote the storage of biogenic carbon in buildings. The SNBC is explicitly banking on this sector to achieve its 2050 targets. However, the Paris Fire Brigade doctrine published in 2021 greatly complicates its use in architecture. How can these contradictions be overcome?

Working with living matter

Aurélie Mossé is a designer, researcher and head of the Soft Matters research group at the Ecole des Arts Décoratifs. Using micro-organisms, she is experimenting with the manufacture of innovative materials that are less costly in terms of fossil fuels or non-renewable resources. By producing calcite, bacteria could become allies in the creation of solid building materials.

Metal

A symbol of the industrial revolution, the rise of metal in construction accompanied the renewal of Paris under Haussmann. Its origins in blast furnaces is associated with a high carbon footprint. Yet it is still widely used in facades, and seems promising for circular economy, as it is easy to dismantle. But is this enough of an advantage? As part of the City Metabolism Chair supported by the Université Paris Sciences & Lettres.  

Stone

Discover the inaugural lecture of the “Alma Matter” series! In a world where the myth of abundance is collapsing, this series of lectures looks at what matter really has to offer. Actors, professions, economies, temporalities, geopolitics: how do contemporary issues of creation take shape through those of matter? Each talk focuses on a particular material, and brings together its stakeholders in a dialogue. The use of stone in construction declined during the twentieth century. Today, its return is acclaimed for its qualities: inertia, durability, low-emission processing, local presence… but what techniques and applications will be used in 2024? As part of the City Metabolism Chair supported by the Université Paris Sciences & Lettres.

Aesthetic of Structures

Aesthetic of Structures is a collective work published by the Architects-Engineers & Engineers-Architects association (AAIIA). Established agencies, young practitioners, researchers and students discuss a new relationship with structures, moving away from the Vitruvian principles of utility, solidity and beauty, towards an economy of materials, reversibility of use and the reuse of materials. Here we meet two of the book’s designers: architect-engineer Antoine Laugier and graphic designer Thanh-Phong Lê, who give us an insight into the book, as an object and as a structure.

Artificial Intelligence in the creation process

AI is a new form of intelligence whose development is stirring up concerns and dystopian fables. Far from replacing human intelligence, AIs are emerging as new tools to be trained, controlled and shaped to achieve the desired result. For the artist, photographer, architect, film-maker, musician or illustrator, AIs become an agent with which to collaborate, resulting in co-creation. Inaugural lecture of the “AI and Creation” series at the Stream Innovation Center.

Which architecture for the ephemeral?

Eric Mangion has been director since 2006, after managing the Frac Provence-Alpes-Côte d’Azur from 1993 to 2005. His research has long been focused on the artistic gesture of disappearance – in all its forms, from the alteration of the work to the disappearance of the artist. At the Villa Arson, he develops a program around ephemeral practices.  He develops here the link between his research topics – the disappearance, the ephemeral, in the art and more generally, in the culture – and the evolution of the architecture.

Spotlight on the city

Hervé Bougon is a film programmer and co-founder of Close-Up, a film festival dedicated to architecture, cities and landscapes. Close Up uses fiction to question the way we live, and year after year continues its work of discovering and raising awareness of major urban issues by bringing to the screen representations of urban architectural culture.

An overview of architectural research

In 2017, on the occasion of the Lyon Biennale d’Architecture “Processus & Pratiques”, Jean-Louis Cohen, architect, architectural historian and professor at the Collège de France, reviewed the evolution of architectural research from the early 20th century to the present day, when the profession is being redefined by the acquisition of an analytical as well as a project-based function.

Representing modularity

Pablo Valbuena is a visual artist. He creates rhythmic light installations to represent time and movement, altering our perceptions of space. His “illusions” distort reality and reveal imperceptible information. We collaborated together on the creation of the Modulation artwork, a series of luminous combinations evoking modularity.

A contemporary planetarium

Currently a curator at Foundation LUMA in Arles, Martin Guinard is co-curator, with Bruno Latour and Eva Lin, of the 2020 Taipei Biennial of Contemporary Art. The exhibition consisted in a planetarium in which each version of the Earth reflects different lifestyles, as well as the ways in which we predict the future, and was also held, in a scaled-down version, from November 2021 to April 2022 at the Centre Pompidou Metz.

Re-enchanting the Champs-Élysées — Chris Dercon

Above knowledge: the autonomous existence of objects

We meet in Yale with top philosopher Graham Harman, who belongs to the movement of speculative realism and “Object Oriented Ontology”. He defines the notion of object according to speculative realism, focusing on the particular case of the artistic object. As a professor at SCI-Arc Los Angeles, he explains how teaching philosophy can enrich architectural design.