This theme explores the sustainability issues raised by the Anthropocene at the scale of buildings and urban environments, in all their material aspects, from design and construction to the uses to which they are put.
For Daniel Buren, architecture is an open-air studio. In an exclusive interview with architect Philippe Chiambaretta, he talks about his site-specific work, where art and architecture meet, just like the Nuages Colorés that cover the scales of the 175 Haussmann glass roof.
Andrew Freear runs the Rural Studio program at Auburn School of Architecture (USA). He believes that schools of architecture have an ethical responsibility to train citizen architects who are locally committed to concrete projects and experientially connected to contexts and places. To design an inclusive city, the Studio adopts an experimental field approach, combining analysis of the territory’s endemic problems, understanding of residents’ needs and new construction techniques. Read the full interview published in STREAM 05!
The growth in energy consumption and the obsolescence of our infrastructures suggest that by 2030, we’ll have a stock of 60,000 tonnes of end-of-life wind turbines per year. To absorb this material on an industrial scale, we need to invent new ways of producing, consuming and building. With this in mind, the La Paletière project aims to reuse turbine blades – composite materials with multiple properties – by turning them into roofing elements.
“ Unfortunately, the ambiance is seen as a corrective factor to be dealt with. ”
“ Unfortunately, the ambiance is seen as a corrective factor to be dealt with. ”
The challenges of air in architecture encompass a wide range of considerations that can affect the shape of a building, its degree of openness, the proportion of voids and solids, or the implementation of specific technical solutions. To reconcile seemingly contradictory requirements, such as the tension between energy efficiency and natural ventilation, architects and engineers are redoubling their inventiveness. Air, due to its invisibility, invites us to create an atmosphere and to consider buildings in terms of breathability.
PCA-STREAM has won the competition for the extension of the Bobigny courthouse by designing a building with a balanced monumentality, reaffirming without excessive theatricality the sacredness of justice. The new courthouse will offer a functional and exemplary building, embodying the idea of a justice of care.
“ Restoring a building does not mean maintaining, repairing or remaking it, it means restoring it to a complete state that may never have existed at any given time, according to Viollet-Le-Duc. ”
“ Restoring a building does not mean maintaining, repairing or remaking it, it means restoring it to a complete state that may never have existed at any given time, according to Viollet-Le-Duc. ”
Viollet-le-Duc is famous for restoring the spire of Notre-Dame, which had been knocked down in 1792. In the course of this construction project, he reinvented the statues of the portals and the Kings’ Gallery, which had been decimated during the Revolution, because, in his words: “Restoring an edifice does not mean maintaining, repairing or remaking it, it means re-establishing it in a complete state that may never have existed at a given moment.” Bérénice Gaussuin, PhD in architecture, whose book Viollet-le-Duc : La forge d’une théorie de la restauration par la pratique (Viollet-le-Duc: Forging a theory of restoration through practice) has just been published (CNRS Éditions), takes a look at the approach of this extraordinary restorer.
At the initiative of the Comité Grande-Armée, PCA-STREAM delivers "Grande-Armée 2030", a strategic vision for reintegrating the Avenue de la Grande-Armée into the urban dynamic of Paris's historic thoroughfare and adapting it to the challenges of the 21st century city.
Covivio, Hines France, and PCA-STREAM have come together to create the Stream Building, a manifesto building located at the heart of the new Clichy-Batignolles district that integrates almost fifteen years of research by Stream Lab into innovations addressing the key challenges facing the cities of tomorrow. Circular by design, the Stream Building is a relational and productive hub that will energize this new urban center within the Greater Paris area by concentrating all the activities associated with a vibrant urban life.
The restructuring of 175 Boulevard Haussmann is an opportunity to become involved in making Paris a resilient and innovative city, one that is capable of renewing and reinventing itself. PCA-STREAM brings together two separate buildings to create a coherent office complex geared toward the well-being of its users and collaborative work. An emblematic contemporary rooftop addition, characterized by its glass scales, acts as a practical and symbolical connector between the various buildings and architectural periods involved.
Mathieu Arnoux, Professor at the University of Paris and Director of Studies at the EHESS, Isabelle Bensidoun, economist at the CEPII, Vincent Charlet, economist and founder of the Fabrique de l’Industrie and Liliana Doganova, sociologist and researcher at the CSI des Mines de Paris. This concluding conference looks at the social and economic dynamics associated with the exploitation of materials on a national and global scale. The war in Ukraine has revealed our dependence on our neighbours and reopened questions of sovereignty and self-sufficiency. France has been less affected by the Russian gas embargo than Germany, but the transition to renewable energies will not happen without the rare earths that we import mainly from China. The limits of globalisation seem to have been reached. What does this mean for our industry, our sectors and our economic policy? What role will the markets play, particularly the carbon market, in encouraging national and European materials?
With Marie Sarah Adenis, artist, Aurélie Mossé, research professor at ENSAD, and Simon Trancart, Head of Adaptative Laboratory Evolution at Ginkgo BioWorks. Wood is often referred to as a living material because it reacts to ambient humidity and develops a patina. However, when a tree is cut down to exploit its wood, it dies and ceases to photosynthesise. What other forms of living matter can we cultivate and grow to build and create, and what ethics should we apply? What does the future hold for organic materials that can regenerate rapidly or perhaps never die and continue to evolve as living matter? From the colourimetric properties of microbes to the use of algae to develop alternative chemical reactions to form cements and ceramics that emit less carbon, what possibilities does living matter offer us for rethinking creation?
Located near the Saint-Lazare train station, these new-generation offices in a former military barracks combine the best of two architectural heritages. They offer a comfortable and prestigious workplace, turned towards nature and the well-being of its users, French law firm Gide-Loyrette-Nouel. The building's heritage is magnified and remodeled, enhancing its attractiveness and competitiveness, while helping to write a new page in the history of Paris's ever-changing urban fabric.
With Mathieu Merlet Briand, artist, Benoit Roman, research director at the CNRS, Xavier Baris from Kairos and Michael Gaultois, Chief Scientific Officer of Fairmat. With the growing disenchantment of the public and designers alike with plastic, perceived as the offspring of the oil years and the symbol of a disposable world, the development of new materials that respond to contemporary challenges by proposing circular production schemes is long overdue. The Deeptech ecosystem is struggling to get off the ground in France, given the investment required. The government and the regions are encouraging research and entrepreneurial initiatives such as the FLOWER project to develop composites made from flax fibre, a plant widely grown in France. What are the neo-composites of tomorrow? What new mythologies do they invoke?
France has the 4th largest forest area in Europe, yet 40% of its timber is imported. At a time when Google’s London headquarters, designed in 2016 with a solid wood structure, has still not been delivered, and when the tallest wooden tower is due to be built in Tokyo in 2028, reaching a height of 100 metres, where does France stand in relation to wood? The RE2020, through the dynamic life cycle analysis, encourages the use of bio-sourced materials to promote the storage of biogenic carbon in buildings. The SNBC is explicitly banking on this sector to achieve its 2050 targets. However, the Paris Fire Brigade doctrine published in 2021 greatly complicates its use in architecture. How can these contradictions be overcome?
Although soil is used as a building material in many parts of the world, it has often been regarded as a waste product in France in recent decades, with little use being made of excavated soil. However, its thermal and hygrometric properties, its extremely low carbon footprint when used raw, its abundance and the natural variations in colour that it offers in every region make it a rich and inspiring material for today’s architects and designers. How can we adapt our building techniques to bring this material into line with contemporary requirements, and get rid of the vision of primitive housing that it still evokes for many people?
PCA-STREAM’s restructuring of 52 Champs-Élysées, the former Virgin Megastore, contributes to renewing the image and attractiveness of the Champs-Élysées. The imposing Streamline Modern Art Deco building gains new coherence thanks to a magnification of its architectural style and a clarification of its program. It will host a Galeries Lafayette department store, high-end offices, and an exceptional garden restaurant overlooking Paris.
In the heart of the Golden Triangle district, at 32–34 Rue Marbeuf, PCA-STREAM is reinventing the iconic Citroën dealership from the 1930s for Gecina, restored to its former glory with rejuvenated original architecture, innovative workspaces, and a full-fledged hanging garden on terraces that open out onto Paris.
A symbol of the industrial revolution, the rise of metal in construction accompanied the renewal of Paris under Haussmann. Its origins in blast furnaces is associated with a high carbon footprint. Yet it is still widely used in facades, and seems promising for circular economy, as it is easy to dismantle. But is this enough of an advantage? As part of the City Metabolism Chair supported by the Université Paris Sciences & Lettres.
Discover the inaugural lecture of the “Alma Matter” series! In a world where the myth of abundance is collapsing, this series of lectures looks at what matter really has to offer. Actors, professions, economies, temporalities, geopolitics: how do contemporary issues of creation take shape through those of matter? Each talk focuses on a particular material, and brings together its stakeholders in a dialogue. The use of stone in construction declined during the twentieth century. Today, its return is acclaimed for its qualities: inertia, durability, low-emission processing, local presence… but what techniques and applications will be used in 2024? As part of the City Metabolism Chair supported by the Université Paris Sciences & Lettres.
Aesthetic of Structures is a collective work published by the Architects-Engineers & Engineers-Architects association (AAIIA). Established agencies, young practitioners, researchers and students discuss a new relationship with structures, moving away from the Vitruvian principles of utility, solidity and beauty, towards an economy of materials, reversibility of use and the reuse of materials. Here we meet two of the book’s designers: architect-engineer Antoine Laugier and graphic designer Thanh-Phong Lê, who give us an insight into the book, as an object and as a structure.
At the heart of the Silicon Sentier, in the 10th arrondissement of Paris, PCA-STREAM is restructuring an imposing postal building from the 1950s following an ambitious approach both in terms of heritage and the environment. Adaptive reuse has enabled the building to now offer flexible, comfortable, and innovative spaces, complemented by high-end services, as well as exceptional outdoor spaces.
“ What will Paris be like under 50°C? How can we postpone this scenario and be better prepared for it? ”
“ What will Paris be like under 50°C? How can we postpone this scenario and be better prepared for it? ”
Our dense, mineral-rich capital is ill-suited to the extreme heat we’ll increasingly have to cope with. So what adaptation strategies can we implement? This is what we asked to Alexandre Florentin, Paris councillor responsible for resilience and climate issues. He chaired the “Paris at 50 degrees” mission, which delivered its report a few months ago: what fields of action for architects and urban designers?
In the heart of the revitalized Porte Maillot district, PCA-STREAM revisits the Parisian modernist heritage and extends the city-nature dialogue. The agency’s intervention respects and enhances the architectural qualities of the original structure. On the north side, the façade grid is reinterpreted in a contemporary style inspired by its original rigorous layout. Designed as a balcony overlooking the Bois de Boulogne, it highlights the exceptional linear nature of the building with unobstructed views of the greater Parisian panorama.The new headquarters of Murex, the world leader in software for the financial markets, was designed above all to maximize interaction and collective intelligence, an essential function of a head office that has been reinforced by the health crisis. Spaces are streamlined and legible, and fluid circulation is ensured by a core of elevators and Chambord staircases on the first day. Employees meet and exchange ideas in a place conducive to informal dialogue.
With Ivry Confluences, located in a changing urban landscape featuring brownfield sites and eco-districts, PCA-STREAM is designing a symbol of the revitalization of the south end of Ivry-sur-Seine. In dialogue with the local industrial heritage, the studio reinterprets the morphology of railway halls to develop a new complex with exacting environmental standards. An exemplar of next-generation offices, Ivry Confluences takes an active part in adding to the vibrancy and diversity of the district thanks to its active base and an extensive garden that opens onto the city.
Designing an inclusive city implies involving their residents in urban projects, but what is the role of architects and urban planners in this process? For Andrew Freear, the head of the Rural Studio program, they both have the ethical responsibility of getting locally involved via concrete projects. Architectural schools must thus take on training citizen architects by engaging them in learning by doing, and thus have them redevelop a deep connection with context and places, acting as neighbors and activists within communities in order to collectively carry out experimental projects that tangibly improve society and the environment.
The two Lebanese artists and filmmakers were awarded the 2017 Marcel Duchamp Award for Unconformities, a project currently on display at Hamburger Bahnhof in Berlin. This artwork, like their approach, is based on a methodology of investigation and excavation and aims to offer another reading of history and the traces of the past.
Nicolas Nova is a social anthropologist. Inspired by New Media Studies and design fiction, he contends that the future of design lies in recycling and reparation as well as reinventing forms and functions. Did you know that a used flip-flop could serve as a lighter?
The geographer and orientalist Augustin Berque revisits the polysemic dimension of the term “milieu,” and explains the distinction made by mesology—“the area of biology that deals with the relationships between the environments and organisms”—between “environment” and “milieu.” The reality of things differs depending on the environment of each species or culture, the object doesn’t exist in itself but according to its relationship with the subject. In this way, mesology goes much further than the subject/object dualism of modern science. Ontologically “trajective,” the environment is neither objective nor subjective, but firmly between the two theoretical subject/object centers. Berque takes the term “mediance,” meaning the dynamic coupling of the individual and their surroundings, from the Japanese “fūdo,” to which he adds “trajection,” a process that results in the “mediance” of human existence in its concrete surroundings. Taken as a whole, all human environments, distinct from the biosphere through their eco-techno-symbolic dimension, form the ecumene. For architecture, this implies a respect for history and the environment, without mimicking ancient forms, creating from the “mediance” of each place.
Larissa Fassler is a “Neo-Situationist” artist. By exploring places over the course of many hours, she gleans their ephemeral essence, which she then superimposes on the fixed urban master plan. The subjective maps thus generated highlight both urban narratives and history.
Maximum is a design studio that maximizes the value of waste; its material, its form and its engineering. Some materials are transformed in a semi-industrial process while others give birth to unique pieces, such as the glass walls of the Centre Pompidou caterpillar.
stream voices
Eager to share more generously the results of its collaborations and research, PCA-STREAM publishes STREAM VOICES, its online magazine!